{"id":7271,"date":"2010-08-20T07:57:52","date_gmt":"2010-08-20T14:57:52","guid":{"rendered":"http:\/\/moviesharkdeblore.com\/site\/?p=7271"},"modified":"2014-10-21T15:03:14","modified_gmt":"2014-10-21T22:03:14","slug":"harry-brown","status":"publish","type":"post","link":"https:\/\/behindthelensonline.net\/site\/reviews\/harry-brown\/","title":{"rendered":"HARRY BROWN"},"content":{"rendered":"

By: debbie lynn elias<\/strong><\/p>\n

\"HarryBrownPoster\"According to Emily Mortimer, not a day goes by that you don\u2019t \u201cturn on the telly\u201d or pick up a newspaper and \u201cthere\u2019s always another story day after day of someone being stabbed and this gang violence\u201d taking place not only in London\u2019s East End, but in places all around the word.\u00a0 \u201cThe communities that [the gangs] are in don\u2019t offer them [a sense of belonging and family] at all. They are really poverty stricken communities and everybody is living life under really difficult and often terrible circumstances. There\u2019s an abundance of drugs and deprivation and there\u2019s no comfort to be had. There\u2019s no feeling of belonging or that there\u2019s any kind of hope.\u201d\u00a0 According to Sir Michael Caine, who \u201ccome[s] from the slums, come[s] from a hard background…a poor family\u201d it\u2019s a failure on the part of \u201ceducation, family, everything\u201d that \u201cinnocent people are turned into criminals.\u00a0 If you treat people like animals, they become animals.\u201d\u00a0\u00a0 Himself living during his college days at the edge of an estate in England or what we in the States call, \u201cthe projects\u201d, director Daniel Barber is personally aware of the escalating violence and degradation of communities not only in East London but the world over, so much so that he himself was compelled to ask searching questions about the \u201ccollective responsibility that calls us to act before a whole generation is lost.\u201d\u00a0\u00a0 And in answering those questions, Barber found HARRY BROWN.\u00a0 A true vigilante with the purest of hearts, harkening back to the days of the Old West and \u201cHigh Noon\u201d, HARRY BROWN is a hero for the 21st<\/sup> Century.<\/p>\n

Harry Brown is a former Marine and war veteran.\u00a0 Now in his late 70’s, Harry isn\u2019t one to speak about his days in the military, preferring the solace of his small flat and a cup of tea.\u00a0 A quiet man, he lives in the high-rises of\u00a0 Elephant and Castle at Heygate Estate.\u00a0 Appearing to be a once fashionable area, the Estate is now run down and dilapidated, serving as a haven for gangs, misguided youth, drug lords and a breeding ground for senseless violence and crime.\u00a0 Daily murders, videotaped on Flip Cams by the perpetrators, are commonplace.\u00a0\u00a0 During the day, Harry visits his wife who lies in a vegetative state in a nursing facility.\u00a0 In late afternoons, he joins his only friend, Leonard, at the local pub for a game of chess.\u00a0 Perhaps the only bit of adventure in Harry\u2019s day is the circuitous routes he takes to visit the hospital or meet Leonard, doing his best to avoid a pedestrian underpass at the Estate which is commandeered by the local gangs who spend their time intimidating and attacking young and old alike.<\/p>\n

But when Harry\u2019s wife passes away, his life begins to take on a different shape.\u00a0 Getting to the hospital too late thanks to his fear of the gangs\u00a0 and being forced to walk in darkness and the teeming rain, Harry confides his loss and frustration to Leonard.\u00a0 Ironically, Leonard has his own problems and confides in Harry about his issues with the gangs, who have resorted to burning dog feces at his door and in his mailbox.\u00a0 Determined to stand up for himself despite warnings from Harry to just keep quiet and let the police handle it, Leonard is found stabbed to death in the underpass.<\/p>\n

\"2010-04-29_212914\"<\/p>\n

With no family or friends, Harry is who the police come to not only to bring news of Leonard\u2019s death, but to seek answers surrounding his death.\u00a0 Met by the compassionate yet businesslike D.I. Alice Frampton, Harry\u2019s initial faith in the police and their investigative skills are put to the test as crime escalates and murderers continue to run loose.\u00a0 Frustrated and tired of sitting on the sidelines, Harry calls on his long buried past and brings his own brand of vigilante justice to the Estate.<\/p>\n

Damn, if Michael Caine still isn’t in kick-ass high gear!\u00a0 As HARRY BROWN, he has as much vim, vigor and military smarts as he exhibited in one of his first films, “Zulu”.\u00a0\u00a0 Talk about a surprising athletic action performance!\u00a0\u00a0 I never would have expected to see Caine at this stage of his career running, arming himself with multiple weapons, and even pulling off some nice little action sequences.\u00a0\u00a0 A real standout scene involves Harry buying guns from some of the local crime lords where he pulls the wool over the eyes of the scumbags, blows out the tv, knifes a guy and then shoots him, chases the other guy into the pot growing greenhouse, blows him away, ignites everything and then carries a girl to safety – WOW!!\u00a0 Going beyond the athleticism and action, Caine is the consummate dramatic actor with a tacitly passionate and emotional performance ruled by conviction of presence perhaps due in large part to his own similarity with HARRY BROWN.\u00a0 Like his character, Caine fought in Korea and grew up on the East End, in a poor neighborhood, actually living around the corner from where HARRY BROWN was filmed.\u00a0 For Caine, HARRY BROWN \u201creads like a Western.\u00a0 Telling you exactly how it is.\u00a0 We are here because this is all so real.\u00a0 I understood the character absolutely and completely.\u201d<\/p>\n

\"2010-04-29_213011\"<\/p>\n

Emily Mortimer was a surprise. Having just seen her showcasing her comedic skills in \u201cCity Island\u201d, had I not known it was Emily Mortimer playing D.I. Alice Frampton, I never would have suspected it to be her.\u00a0 These two performances alone speak volumes as to her ability and talent as an actress. As Alice Frampton, she exudes a very timid mousey attitude hidden by a thin veneer of false confidence; never dealing from strength to weakness, she pushed Frampton forward no matter no matter what hand she was dealt despite her fear and trepidation. Mortimer brought a real humanity to the character.\u00a0 For Mortimer, taking this role was a no brainer. \u201cI was drawn to it. It was different from stuff that I had done before.\u00a0\u00a0 Then, of course, it was impossible to turn down an opportunity of acting with Michael Caine. Who wouldn\u2019t want to do that!\u00a0 And the film itself, I thought it was really interesting. I was particularly impressed by Daniel Barber, the director, when I met him and talked to him about it after reading the script. I thought the script was really gripping and interesting.\u00a0\u00a0 [Daniel Barber] used the western as a model for the way that he approached this movie. I knew from talking to him he had a sort of auteur take on the whole thing and that he was going to elevate it out of the tv drama and would raise it, hopefully, to something that felt more epic and strange and fatalistic and kind of bad ass.\u201d\u00a0 Intent on rooting D.I. Frampton in reality, Mortimer worked with the highest ranking female D.I. in London, who just happened to be involved in an investigation similar to that in the film.\u00a0 This allowed her to view interviews and techniques and incorporate them into Alice Frampton.\u00a0 \u201c These young gang members, they close ranks and that whole thing of \u2018no comment, no comment, no comment\u2019, that whole thing is taken completely from the reality of what goes on. That\u2019s what they\u2019ve been taught to say and they say it again and again and again. As a police detective investigating the crime, there is a ticking clock situation. You can only pull them in for a certain amount of hours before you have to charge them with something. It\u2019s a really delicate sort of process and these interviews are so fascinating. There are real psychological games that get played out in those rooms.\u201d<\/p>\n

\"2010-04-29_213123\"<\/p>\n

Key to the story line are the gang members and for director Barber, authenticity was key. Auditioning literally hundreds of kids from the Estate area, according to Mortimer, \u201ca lot of the kids that were in the movie as extras, and even the kids that were the principal characters, the gang kids, come from that world. This isn\u2019t unfamiliar territory to them and a lot of them had had experiences that weren\u2019t completely dissimilar from the people they were playing in the movie.\u201d<\/p>\n

Artfully crafted, even Caine was impressed by the script, wondering if writer Gary Young \u201chad been listening to a couple of my conversations.\u00a0 It\u2019s that old thing: what\u2019s gone wrong with the young?\u00a0 And the problem now is, the older guys like me, say, \u2018Oh the youngsters today, what\u2019s gone wrong?\u00a0 They all turned out to be right but this next generation isn\u2019t going to be.\u00a0 They have armed themselves and there are too many drugs.\u201d\u00a0\u00a0 From opening to ending I was caught totally off-guard. Initially, everything was unexpected. However, once there was the one comment about HARRY BROWN being a former Marine (Once a Marine, always a Marine), I suspected there would be action in some form, although I was unprepared for the skill with which the story was crafted and Brown\u2019s stealthy, militarily precise vigilante attacks executed.\u00a0 But then going to an entirely different plane, we get a slight comedic edge with Brown relating little war anecdotes to a dying criminal.\u00a0\u00a0 Actually very very funny. I don’t think anyone but Caine could have pulled off the flat storytelling with a raised eyebrow and then pull the trigger yet again. BRILLIANT!\u00a0\u00a0 The emotional complexity of Harry Brown himself is so beautifully written and brilliantly executed by Caine. The quiet subtleties and nuances lending to a gentility about the man, yet the vitality and warrior lurking beneath are a marvel to watch unfold.\u00a0\u00a0 And HARRY BROWN isn\u2019t the only superbly written character.\u00a0 Each is as meticulously created as the other, with character traits and complexities rooted in confidence and self-assuredness setting the stage for the penultimate shootout at the O.K. Corral.<\/p>\n

\"2010-04-29_212953\"<\/p>\n

Surprising even to Mortimer was the level of violence portrayed in the film, starting with a double murder videoed on a Flip Cam.\u00a0 Barber \u201c talked about how he was going to shoot certain scenes with [Mortimer] in them and use the camera from down below looking up… a \u2018cowboy shot.\u2019\u00a0\u00a0 I was totally blown away by [all the violence] and taken aback. It\u2019s very difficult to watch. I think that\u2019s what\u2019s interesting about the film. It is unseemly what goes on and it\u2019s hard to stomach and it\u2019s hard to accept and what people do to each other. It\u2019s horrifying and I think it\u2019s good that it\u2019s portrayed in all its kind of ugliness. It certainly doesn\u2019t glamorize violence . It\u2019s as difficult and uncomfortable to watch as it should be, I think.\u00a0 But I wasn\u2019t prepared for quite the level of intensity of that.\u201d<\/p>\n

So tightly and sharply directed by first timer Daniel Barber, he had my rapt attention through the entire movie.\u00a0 I doubt if I even blinked.\u00a0 The editing is superb – both visually and with sound – going for shock factor with both. Martin Ruhe\u2019s cinematography was edgy and grainy with a tonal palette that created a complete sense of needing a shower just from watching the dregs of society on screen. Extremely powerful visuals. Visceral even. And then to be counterbalanced with a scene where light and color fill a once dirty and dark world and the purity and cleansing of fresh white paint shine like a light from above – very moving.<\/p>\n

A man and a film rooted in life, surviving and thriving on heart.\u00a0 A wake-up call for our time.\u00a0 A man for the ages. Move over John McClaine and Martin Riggs!\u00a0\u00a0 HARRY BROWN is in the house!!<\/p>\n

Harry Brown – Sir Michael Caine<\/p>\n

D.I. Alice Frampton – Emily Mortimer<\/p>\n

Directed by Daniel Barber.\u00a0 Written by Gary Young.<\/p>\n","protected":false},"excerpt":{"rendered":"

By: debbie lynn elias According to Emily Mortimer, not a day goes by that you don\u2019t \u201cturn on the telly\u201d or pick up a newspaper and \u201cthere\u2019s always another story day after day of someone being stabbed and this gang violence\u201d taking place not only in London\u2019s East End, but in places all around the […]<\/p>\n","protected":false},"author":2,"featured_media":7276,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[36,9],"tags":[1050],"class_list":["post-7271","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-movies","category-reviews","tag-harry-brown"],"yoast_head":"\nHARRY BROWN - Behind The Lens Online<\/title>\n<meta name=\"description\" content=\"Behind the Lens is your home for in-depth movie reviews, filmmaker & celebrity interviews, and more, all by industry professional and film critic debbie lynn elias...\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/behindthelensonline.net\/site\/reviews\/harry-brown\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"HARRY BROWN\" \/>\n<meta property=\"og:description\" content=\"Behind the Lens is your home for in-depth movie reviews, filmmaker & celebrity interviews, and more, all by industry professional and film critic debbie lynn elias...\" \/>\n<meta property=\"og:url\" content=\"https:\/\/behindthelensonline.net\/site\/reviews\/harry-brown\/\" \/>\n<meta property=\"og:site_name\" content=\"Behind The Lens Online\" \/>\n<meta property=\"article:published_time\" content=\"2010-08-20T14:57:52+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2014-10-21T22:03:14+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/behindthelensonline.net\/site\/wp-content\/uploads\/2010\/08\/2010-04-29_212953.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"640\" \/>\n\t<meta property=\"og:image:height\" content=\"366\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"debbie lynn elias\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"debbie lynn elias\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"10 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/reviews\\\/harry-brown\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/reviews\\\/harry-brown\\\/\"},\"author\":{\"name\":\"debbie lynn elias\",\"@id\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/#\\\/schema\\\/person\\\/2d9b602095eb0ce3d363efb75ad0b5d4\"},\"headline\":\"HARRY BROWN\",\"datePublished\":\"2010-08-20T14:57:52+00:00\",\"dateModified\":\"2014-10-21T22:03:14+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/reviews\\\/harry-brown\\\/\"},\"wordCount\":1996,\"publisher\":{\"@id\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/reviews\\\/harry-brown\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/wp-content\\\/uploads\\\/2010\\\/08\\\/2010-04-29_212953.jpg\",\"keywords\":[\"HARRY BROWN\"],\"articleSection\":[\"Movies\",\"Reviews\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/reviews\\\/harry-brown\\\/\",\"url\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/reviews\\\/harry-brown\\\/\",\"name\":\"HARRY BROWN - 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