{"id":739,"date":"2014-09-09T18:21:54","date_gmt":"2014-09-10T01:21:54","guid":{"rendered":"http:\/\/moviesharkdeblore.com\/site\/?p=739"},"modified":"2014-10-08T18:23:36","modified_gmt":"2014-10-09T01:23:36","slug":"god-help-the-girl-3","status":"publish","type":"post","link":"https:\/\/behindthelensonline.net\/site\/reviews\/god-help-the-girl-3\/","title":{"rendered":"GOD HELP THE GIRL"},"content":{"rendered":"

By: debbie lynn elias<\/strong><\/p>\n

With a beguiling adorable awkwardness,\u00a0 first time screenwriter\/director Stuart Murdoch puts a song in your heart and a spring in your step with the oh-so-lovely, GOD HELP THE GIRL.\u00a0 Lead singer-songwriter of the Scottish pop\/rock group Belle & Sebastian, Murdoch makes the jump to film with a musical that is truly a musical, with songs and their lyrics built into the story and dialogue, harkening to Hollywood\u2019s Golden Age or even the Peter Webb directed Paul McCartney vehicle, \u201cGive My Regards to Broad Street\u201d or The Beatles \u201cA Hard Day\u2019s Night\u201d.\u00a0\u00a0 Tapping into the ideal of music as the common denominator of the world, with the opening scene and eye-catching number, \u201cAct of the Apostle\u201d, Murdoch strikes an easy chord thanks to not only his easy-breezy yet thematically telling pop tunes (which you will be humming as you leave the theatre) but with a youthful exuberant cast who act, sing, dance and yes, do all their own vocals.<\/p>\n

\"god<\/p>\n

Set in a quiet, cobblestoned, pastoral suburb of Glasgow, we meet Eve as she is sneaking out late at night of what we presume to be a boarding school, heading off to see bands at a local club.\u00a0 Appearing to be \u201copen mic night\u201d, the crowd rocks out to Wobbly Legged Rats and their sexy frontman and lead singer, Anton (who seems to have eyes for Eve), before being less than wowed by newcomer singer-guitarist James who appears bandless but for the house drummer loudly banging in the background, prompting an all-out barroom brawl. One look at Eve and you know that there\u2019s something about James and his music that speaks to her.<\/p>\n

On her returning \u201chome\u201d, we realize that Eve is not in a boarding school, but in a residential treatment facility\/psychiatric hospital for a severe eating disorder.\u00a0 Through conversations with her psychiatrist, we learn just enough to know Eve has had a tough life, a life that pushed her into depression and this disorder.\u00a0 Unable to cope, Eve\u2019s one outlet is songwriting and music. Pouring her feelings into lyrics is emotionally freeing.\u00a0 But she wants more.\u00a0 She wants to perform.<\/p>\n

\"god<\/p>\n

Stifled and wanting out of the facility, Eve moves into a room in James\u2019 apartment, allowing her to partner up with him to write songs.\u00a0 Although Eve believes she needs James\u2019 help, James is convinced that Eve has a God-given talent and he\u2019s just there to provide musical support.\u00a0 Joining in the mix is Cassie.\u00a0 A girl from the \u201cright side of the tracks\u201d, Cassie has been a music student of James\u2019 for some time, but to little avail.\u00a0 She wants more than practicing methodical scales over and over and over.\u00a0 She wants to write and sing and perform; and inspired by Eve, that\u2019s exactly what she starts to do.\u00a0 And so, on one bright summer day, a music group is formed.<\/p>\n

But as with most groups comes trials and tribulations as James is falling for and pines away for Eve who is oblivious to his intentions as she is smitten with Anton who has promised to get her demo CD to some local radio DJ\u2019s.\u00a0 And Cassie, well, while a bit flighty, is up for anything James and Eve want to do.<\/p>\n

As worlds and wants start colliding and long buried truths emerge, not to mention Eve running out of a much needed medication to keep her on an emotionally even keel, can the trio hold things together or will they fall apart just as their career starts to take flight?<\/p>\n

\"god<\/p>\n

Emily Browning is luminous as Eve.\u00a0 Walking the fine line between fragility and calculating tough as nails persona, Browning soars with a sincerity and beauty that is at times enchantingly Audrey Hepburn kittenish and others, Bette Davis cold and enraged.\u00a0 Browning knows how to use the camera with her eyes and it doesn\u2019t take much before you find yourself hypnotized by her, drawn ever deeper into Eve\u2019s world.\u00a0 It\u2019s a delicate dance that is only enhanced by an amazing strong and versatile voice that evokes wistful emotion, defiance, pain and joy with every note.\u00a0 Browning\u2019s lyricism serves as it\u2019s own layer of storytelling.\u00a0 Notable in her performance is the intricacy of some of her choreography which at times requires perfecting a clipped rigidity.\u00a0 Browning nails the movements.<\/p>\n

I first took note of Olly Alexander some years back in \u201cBright Star\u201d.\u00a0 He has an understated quality that many audiences are just now discovering thanks to his work in \u201cPenny Dreadful.\u201d\u00a0 Here, as the nerdy James, Alexander laces the character with a touch of musically superior arrogance that gives James a duality that is both confident and not.\u00a0 It\u2019s an interesting approach that is compelling, serving as a connective thread that balances the contrasting personas of Browning\u2019s Eve and Hannah Murray\u2019s Cassie.\u00a0 And again, his musical talents are not wasted here.<\/p>\n

Hannah Murray delights as Cassie.\u00a0 Free-spirited yet needing to break free of the rigidity of her family\u2019s wealth and prominence, Murray adds a touch of ditziness to Cassie that is warm and welcoming – and charmingly funny.\u00a0\u00a0 She finds strong footing with a \u201ccoming of age\u201d and \u201cfinding of self\u201d tone that buoys the dynamic of the three principals.<\/p>\n

When it comes to bad boy Anton, Pierre Boulanger fills the bill nicely from his leather looks to a two-faced personality evident to all but Eve.<\/p>\n

\"god<\/p>\n

The real joy of GOD HELP THE GIRL is the music and the story construct as it incorporates the specific songs and lyrics into the plot.\u00a0 This is not a case of songs just being \u201cdropped in\u201d for amusement.\u00a0 Each is staged as part of the script and are poignant, speaking to specific thematic and tonal elements of the moment, yet never feeling heavy or maudlin.\u00a0 Murdoch keeps the songs and the tone of the film, light and upbeat.\u00a0 Adding to the engaging feel of the film as a whole is Emily-Jane Boyle\u2019s dance choreography that accompanies each song, providing a Gene Kelly-Stanley Donen touch that is highly stylized and accentuated in movement and tone.\u00a0 Particularly joyous in song, performance and tone is a large multi-generational set-piece in a seniors\u2019 hall to \u201cDance With Cassie\u201d.<\/p>\n

Interesting is Murdoch\u2019s journey in making GOD HELP THE GIRL and the fact that it started back in 2003 with the music and specific song lyrics.\u00a0\u00a0 Seeing and sensing a complete story emerging from the song, Murdoch knew it wasn\u2019t a fit for Belle & Sebastian.\u00a0 That\u2019s when the idea of a feature film started to take shape.\u00a0\u00a0 It wasn\u2019t until 2006, however, that Murdoch sat down to not only write the screenplay for GOD HELP THE GIRL but to seek out singers and musicians for a new band to record the songs he was writing within the film\u2019s construct.\u00a0\u00a0\u00a0 Although an album of the tracks was released in 2009 complete with some key music videos which then aided Murdoch with his visual design of the film and became the core of GOD HELP THE GIRL, when casting the film, Murdoch was intent on casting actors who could not only act but do their own singing, which is what you see and hear in the film to excellent result.\u00a0 (And yes, the soundtrack is a must for your personal playlist as are the original recordings off the 2009 album.)<\/p>\n

\"god<\/p>\n

Somewhat light in backstory and plot details, the structure serves GOD HELP THE GIRL well as it puts everything and everyone \u201cin the moment\u201d for a French New Wave feeling.\u00a0 Set within the confines of one summer, friendships are made and tested, the fear and wonder of self-discovery pulsates with the beat of the music and the ordinary becomes sun-kissed extraordinary.\u00a0 Underscoring the \u201cin the moment\u201d sensibility is the tacit messaging about life and that no matter how mundane or boring or stuck one may be, every life warrants the joy and fun of music and a musical.\u00a0 Adding to this is some beautiful cinematography by Giles Nuttgens.\u00a0 A cinematographer with mad skills, it\u2019s easy to look at some of his key prior films – \u201cDom Hemingway\u201d, \u201cWhat Maisie Knew\u201d and \u201cLoss of a Teardrop Diamond\u201d – to see why he is the perfect man for GOD HELP THE GIRL.<\/p>\n

Shooting on 16mm film, Nuttgens and Murdoch create a timelessness that is not only beautiful to look at thanks to saturation of color and the way 16mm captures light and color, but provides an ambient tone that engages with each shot looking as much a \u201cmoney shot\u201d as the next.\u00a0 Cinematic with a bit of whimsy, the result is wonderfully executed emotional metaphor with juxtapositioned contrasts.\u00a0 Gorgeous locations throughout Glasgow and its West End just add to the overall experience – Barrowland Ballroom, Glasgow\u2019s Central Station, the Botanic Gardens (a stunner to be sure), the Victorian era Western Baths Club – and make a wonderful mini-travelogue for Glasgow!<\/p>\n

\"god<\/p>\n

Editor David Arthur finds an even beat not only with the overall pace of the film, but particularly with the cutting of the musical numbers.\u00a0 Done with an edge and often utilizing jump cuts to their best advantage, Arthur\u2019s music video background and prior work with Murdoch and his music serves the film.\u00a0 Appreciative is the care by Murdoch and Arthur in the placement of musical numbers within the context of the story and visuals, scattering them from beginning to end allowing the ebb and flow of the story and characters with the music elevating emotional levels.<\/p>\n

Icing on the cake with GOD HELP THE GIRL is the production of Mark Leese and Denise Coombs\u2019 costume design.\u00a0 Where production design has a bohemian shabby chic sensibility contrasted against the stoic timeless strength of some of the locations, fashion blends nods to 60’s pop, Twiggy and the British invasion with a 50’s vibe and even post-WWII London.\u00a0 Costuming – especially for Emily Browning\u2019s Eve – leaps off the screen, begging to be seen on pages in Vogue.\u00a0 Eclectic blends of color, flower power, various textures and fabrications, schoolgirl innocence styling, all enhance the freeform adventurous styling of the film as a whole.<\/p>\n

\"god<\/p>\n

One of my top indie gems of the year, charming, enchanting, fun and fancy-free,\u00a0 GOD HELP THE GIRL is a divine intervention.<\/p>\n

Written and Directed by Stuart Murdoch<\/p>\n

Cast:\u00a0\u00a0\u00a0 Emily Browning, Olly Alexander, Hannah Murray, Pierre Boulanger<\/p>\n","protected":false},"excerpt":{"rendered":"

By: debbie lynn elias With a beguiling adorable awkwardness,\u00a0 first time screenwriter\/director Stuart Murdoch puts a song in your heart and a spring in your step with the oh-so-lovely, GOD HELP THE GIRL.\u00a0 Lead singer-songwriter of the Scottish pop\/rock group Belle & Sebastian, Murdoch makes the jump to film with a musical that is truly […]<\/p>\n","protected":false},"author":2,"featured_media":729,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[36,9],"tags":[140,141],"class_list":["post-739","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-movies","category-reviews","tag-god-help-the-girl","tag-musical"],"yoast_head":"\nGOD HELP THE GIRL - Behind The Lens Online<\/title>\n<meta name=\"description\" content=\"Behind the Lens is your home for in-depth movie reviews, filmmaker & celebrity interviews, and more, all by industry professional and film critic debbie lynn elias...\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/behindthelensonline.net\/site\/reviews\/god-help-the-girl-3\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"GOD HELP THE GIRL\" \/>\n<meta property=\"og:description\" content=\"Behind the Lens is your home for in-depth movie reviews, filmmaker & celebrity interviews, and more, all by industry professional and film critic debbie lynn elias...\" \/>\n<meta property=\"og:url\" content=\"https:\/\/behindthelensonline.net\/site\/reviews\/god-help-the-girl-3\/\" \/>\n<meta property=\"og:site_name\" content=\"Behind The Lens Online\" \/>\n<meta property=\"article:published_time\" content=\"2014-09-10T01:21:54+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2014-10-09T01:23:36+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/behindthelensonline.net\/site\/wp-content\/uploads\/2014\/10\/god-help-the-girl-1.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1024\" \/>\n\t<meta property=\"og:image:height\" content=\"576\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"debbie lynn elias\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"debbie lynn elias\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"9 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/reviews\\\/god-help-the-girl-3\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/reviews\\\/god-help-the-girl-3\\\/\"},\"author\":{\"name\":\"debbie lynn elias\",\"@id\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/#\\\/schema\\\/person\\\/2d9b602095eb0ce3d363efb75ad0b5d4\"},\"headline\":\"GOD HELP THE GIRL\",\"datePublished\":\"2014-09-10T01:21:54+00:00\",\"dateModified\":\"2014-10-09T01:23:36+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/reviews\\\/god-help-the-girl-3\\\/\"},\"wordCount\":1739,\"publisher\":{\"@id\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/reviews\\\/god-help-the-girl-3\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/wp-content\\\/uploads\\\/2014\\\/10\\\/god-help-the-girl-1.jpg\",\"keywords\":[\"GOD HELP THE GIRL\",\"musical\"],\"articleSection\":[\"Movies\",\"Reviews\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/reviews\\\/god-help-the-girl-3\\\/\",\"url\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/reviews\\\/god-help-the-girl-3\\\/\",\"name\":\"GOD HELP THE GIRL - 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