{"id":7395,"date":"2010-08-19T11:21:17","date_gmt":"2010-08-19T18:21:17","guid":{"rendered":"http:\/\/moviesharkdeblore.com\/site\/?p=7395"},"modified":"2014-10-21T16:25:32","modified_gmt":"2014-10-21T23:25:32","slug":"no-reservations","status":"publish","type":"post","link":"https:\/\/behindthelensonline.net\/site\/reviews\/no-reservations\/","title":{"rendered":"NO RESERVATIONS"},"content":{"rendered":"

By: debbie lynn elias<\/strong><\/p>\n

One thing I learned as a small child sticking my hands in my beloved German grandmother\u2019s pots and pans sampling \u201cuncooked nibbles\u201d or sneaking unknown candies from the dish by her front door or pretty petit fours from the fridge, is just because something looks good, doesn\u2019t mean it tastes good, and even if palatable, the after taste can sometimes be less than pleasant. Such is the case with NO RESERVATIONS; although it looks good on the outside and is somewhat palatable, the ingredients never quite reach a boiling point and the end result is undercooked, lacking spice and rather bland.\"reservation-03\"<\/p>\n

Originally set in the historically fashionable town of Hamburg, Germany, but for a few American updates and hip New York modernization, NO RESERVATIONS, is a virtual clone of Sandra Nettelbeck\u2019s \u201cMostly Martha\u201d, complete with the good, the bad and in this case, the not very tasty. \u2028\u2028Kate Armstrong is a top notch chef in one of Greenwich Village\u2019s trendiest restaurants. A selfish, egocentric perfectionist in ever way, she rules the kitchen – and her life – with an iron hand. An obsessive workaholic, thanks to a self-imposed set of stringent rules that she is unwilling to break, she has no room in her life for a life. No relationship. No family. Only work. And of course a therapist. But Kate\u2019s orderly life gets turned upside down when Fate steps in and hands Kate her 9 year old niece, Zoe, to raise following the sudden death of Zoe\u2019s mother in an auto accident. And as we all know, Fate can be extremely cruel when it wants to be and where Kate is concerned, looks like Fate is more than a little ticked off at her. Saddled with the emotional trauma she is unable and unwilling to express over the death of her sister, plus the responsibility of a child to raise, Kate\u2019s orderly world is crumbling before her. But crumbs are nothing compared to the full on souffle-like collapse when Kate\u2019s boss Paula hires a new sous-chef without telling Kate. \u2028\u2028Nick is the complete antithesis of Kate. Energetic, happy-go-lucky, gregarious, exuberant, fun. A joy to watch. A joy to embrace. A man not afraid to show his true feelings both in his Italian style cooking but with his love of Italian opera. A man who can laugh. A man whose very existence annoys the hell out of Kate…especially when in \u201cher\u201d kitchen and particularly when Kate must take leave of her domain to care for Zoe.<\/p>\n

And there\u2019s Zoe. A precocious adorable child wiser than her years, but for refusing to eat, Zoe hides her suffering almost as well as Kate, knowing full well that Kate is ill-equipped to handle anything that is out of \u201cthe norm.\u201d Self-sufficient and capable, Zoe has the gift of insight and partly in an effort to make her life whole again as well as giving her aunt what she believes Kate needs, Zoe sets out to play matchmaker between Nick and Kate, learning first hand that oil and water just don\u2019t mix.<\/p>\n

\"reservation-02\"<\/p>\n

Catherine Zeta-Jones, herself always so reserved in her work, but for her exuberant Oscar winning turn in \u201cChicago\u201c, tackles the role of Kate. With a reserved character and an actress known for being very proper and reserved in her performances, one would think Kate is the ideal role for Zeta-Jones. It isn\u2019t. Very methodical and plasticine, she gives new meaning to the term \u201ccold fish.\u201d There is no spark and definitely no chemistry between herself and Aaron Eckhart\u2019s, Nick which is disappointing because
\nOne thing I learned as a small child sticking my hands in my beloved German grandmother\u2019s pots and pans sampling \u201cuncooked nibbles\u201d or sneaking unknown candies from the dish by her front door or pretty petit fours from the fridge, is just because something looks good, doesn\u2019t mean it tastes good, and even if palatable, the after taste can sometimes be less than pleasant. Such is the case with NO RESERVATIONS; although it looks good on the outside and is somewhat palatable, the ingredients never quite reach a boiling point and the end result is undercooked, lacking spice and rather bland.<\/p>\n

Originally set in the historically fashionable town of Hamburg, Germany, but for a few American updates and hip New York modernization, NO RESERVATIONS, is a virtual clone of Sandra Nettelbeck\u2019s \u201cMostly Martha\u201d, complete with the good, the bad and in this case, the not very tasty. \u2028\u2028Kate Armstrong is a top notch chef in one of Greenwich Village\u2019s trendiest restaurants. A selfish, egocentric perfectionist in ever way, she rules the kitchen – and her life – with an iron hand. An obsessive workaholic, thanks to a self-imposed set of stringent rules that she is unwilling to break, she has no room in her life for a life. No relationship. No family. Only work. And of course a therapist. But Kate\u2019s orderly life gets turned upside down when Fate steps in and hands Kate her 9 year old niece, Zoe, to raise following the sudden death of Zoe\u2019s mother in an auto accident. And as we all know, Fate can be extremely cruel when it wants to be and where Kate is concerned, looks like Fate is more than a little ticked off at her. Saddled with the emotional trauma she is unable and unwilling to express over the death of her sister, plus the responsibility of a child to raise, Kate\u2019s orderly world is crumbling before her. But crumbs are nothing compared to the full on souffle-like collapse when Kate\u2019s boss Paula hires a new sous-chef without telling Kate. \u2028\u2028Nick is the complete antithesis of Kate. Energetic, happy-go-lucky, gregarious, exuberant, fun. A joy to watch. A joy to embrace. A man not afraid to show his true feelings both in his Italian style cooking but with his love of Italian opera. A man who can laugh. A man whose very existence annoys the hell out of Kate…especially when in \u201cher\u201d kitchen and particularly when Kate must take leave of her domain to care for Zoe.<\/p>\n

And there\u2019s Zoe. A precocious adorable child wiser than her years, but for refusing to eat, Zoe hides her suffering almost as well as Kate, knowing full well that Kate is ill-equipped to handle anything that is out of \u201cthe norm.\u201d Self-sufficient and capable, Zoe has the gift of insight and partly in an effort to make her life whole again as well as giving her aunt what she believes Kate needs, Zoe sets out to play matchmaker between Nick and Kate, learning first hand that oil and water just don\u2019t mix.<\/p>\n

\"reservation-01\"<\/p>\n

Catherine Zeta-Jones, herself always so reserved in her work, but for her exuberant Oscar winning turn in \u201cChicago\u201c, tackles the role of Kate. With a reserved character and an actress known for being very proper and reserved in her performances, one would think Kate is the ideal role for Zeta-Jones. It isn\u2019t. Very methodical and plasticine, she gives new meaning to the term \u201ccold fish.\u201d There is no spark and definitely no chemistry between herself and Aaron Eckhart\u2019s, Nick which is disappointing because as Nick, Eckhart is delectable. Known for his more serious side, here Eckhart has an undeniable frothy lightness and charm that makes one simply beg for another taste. He is not only fun to watch, but eye candy sure to please every female in the audience.<\/p>\n

And Abigail Breslin. What can I say about Abby? As delightful as she was in \u201cLittle Miss Sunshine\u201d she is moreso here. More nuanced in her facial expressions and tonal inflections as reflective of her advancing skills, she is a master of emotional manipulation and adds the perfect amount of sweetness to the film. Even more impressive is the fact that Abby takes an integral character with a sub-standardly written storyline and turns it into spun gold. Particularly effective are the scenes involving Eckhart and Abby. These two are endearing together.<\/p>\n

Written by newcomer Carol Fuchs based on Sandra Nettelbeck\u2019s original screenplay for \u201cmostly Martha\u201d, the overall result is less than appealing. I have seen \u201cMostly Martha\u201d and while it is nothing extraordinary, it is enjoyable and entertaining. Not so with NO RESERVATIONS which seems as if two separate films, one dark, the other light, with nothing meeting in the middle or binding the themes together creating tonal imbalance that is never corrected. While the story remains intact, the dialogue is less then believable and much seems to be throwaway like brown edged lettuce.<\/p>\n

Directed by Ugandan-born director Scott Hicks, best known for his exemplary work with \u201cShine\u201d, here there is no evidence of Hicks\u2019 already proven talent. Instead, we are left with a film that has no voice, no signature, is very robotic, preconceived and predictable, giving to the banal. Hicks\u2019 brightest moment was hiring cinematographer Stuart Dryburgh. With a widescreen cinemascope effect, Dryburgh plays with the lensing creating very effective visuals that do more for the story than other aspect of the film. From a strictly visual standpoint, Dryburgh\u2019s talents are reason enough to see the film.<\/p>\n

Thanks to a lacking any real meat or flavor, no reservations will be necessary at the theatre if you want a taste of NO RESERVATIONS.<\/p>\n

Kate – Catherine Zeta-Jones<\/p>\n

Nick – Aaron Eckhart<\/p>\n

Zoe – Abigail Breslin<\/p>\n

Directed by Scott Hicks. Written by Carol Fuchs based on the screenplay \u201cMostly Martha\u201d by Sandra Nettelbeck. Rated PG.<\/p>\n","protected":false},"excerpt":{"rendered":"

By: debbie lynn elias One thing I learned as a small child sticking my hands in my beloved German grandmother\u2019s pots and pans sampling \u201cuncooked nibbles\u201d or sneaking unknown candies from the dish by her front door or pretty petit fours from the fridge, is just because something looks good, doesn\u2019t mean it tastes good, […]<\/p>\n","protected":false},"author":2,"featured_media":7400,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[36,9],"tags":[1068],"class_list":["post-7395","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-movies","category-reviews","tag-no-reservations"],"yoast_head":"\nNO RESERVATIONS - Behind The Lens Online<\/title>\n<meta name=\"description\" content=\"Behind the Lens is your home for in-depth movie reviews, filmmaker & celebrity interviews, and more, all by industry professional and film critic debbie lynn elias...\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/behindthelensonline.net\/site\/reviews\/no-reservations\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"NO RESERVATIONS\" \/>\n<meta property=\"og:description\" content=\"Behind the Lens is your home for in-depth movie reviews, filmmaker & celebrity interviews, and more, all by industry professional and film critic debbie lynn elias...\" \/>\n<meta property=\"og:url\" content=\"https:\/\/behindthelensonline.net\/site\/reviews\/no-reservations\/\" \/>\n<meta property=\"og:site_name\" content=\"Behind The Lens Online\" \/>\n<meta property=\"article:published_time\" content=\"2010-08-19T18:21:17+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2014-10-21T23:25:32+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/behindthelensonline.net\/site\/wp-content\/uploads\/2010\/08\/reservation-03.png\" \/>\n\t<meta property=\"og:image:width\" content=\"763\" \/>\n\t<meta property=\"og:image:height\" content=\"541\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/png\" \/>\n<meta name=\"author\" content=\"debbie lynn elias\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"debbie lynn elias\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"8 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/reviews\\\/no-reservations\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/reviews\\\/no-reservations\\\/\"},\"author\":{\"name\":\"debbie lynn elias\",\"@id\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/#\\\/schema\\\/person\\\/2d9b602095eb0ce3d363efb75ad0b5d4\"},\"headline\":\"NO RESERVATIONS\",\"datePublished\":\"2010-08-19T18:21:17+00:00\",\"dateModified\":\"2014-10-21T23:25:32+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/reviews\\\/no-reservations\\\/\"},\"wordCount\":1595,\"publisher\":{\"@id\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/reviews\\\/no-reservations\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/wp-content\\\/uploads\\\/2010\\\/08\\\/reservation-03.png\",\"keywords\":[\"NO RESERVATIONS\"],\"articleSection\":[\"Movies\",\"Reviews\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/reviews\\\/no-reservations\\\/\",\"url\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/reviews\\\/no-reservations\\\/\",\"name\":\"NO RESERVATIONS - 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