{"id":7762,"date":"2010-08-16T21:22:51","date_gmt":"2010-08-17T04:22:51","guid":{"rendered":"http:\/\/moviesharkdeblore.com\/site\/?p=7762"},"modified":"2014-10-22T12:26:59","modified_gmt":"2014-10-22T19:26:59","slug":"it-might-get-loud","status":"publish","type":"post","link":"https:\/\/behindthelensonline.net\/site\/reviews\/it-might-get-loud\/","title":{"rendered":"IT MIGHT GET LOUD"},"content":{"rendered":"

By: debbie lynn elias<\/strong><\/p>\n

\"IMG_-_1\"<\/p>\n

Things will definitely get a little bit loud with the rockumentary IT MIGHT GET LOUD, a sit down with three generations of rock legends, guitarists Jimmy Page (Led Zeppelin), The Edge (U2) and Jack White (White Stripes).\u00a0 Three very different gentlemen.\u00a0 Three very different backgrounds.\u00a0 Three very different styles.\u00a0 One common passion.\u00a0\u00a0 This is one room in rock \u2018n roll heaven.<\/p>\n

Director Davis Guggenheim could have done no better than his subject selection so Page, White and The Edge.\u00a0 Each represents a significant era in music history.\u00a0 For Page, he has been around since the advent of rock-n-roll and, thank heaven, heavy metal.\u00a0 White, celebrates the bluesey-ness of the depression era but moves forward and vacillates into the angry punk era or the 80’s without compromising his musical skills, knowledge or talent.\u00a0 The Edge is the epitome of melding talent and technology.<\/p>\n

With IT MIGHT GET LOUD, Guggenheim, who, together with Al Gore,\u00a0 brought us a little project Oscar winning film called \u201cAn Inconvenient Truth\u201d, now brings us the stuff that dreams are made of.\u00a0 Giving us an up close and personal look at each of these virtuosos, we are privy to the intimate details of their childhoods (did you know Jack White was an upholsterer or that Page was a studio musician and a painter and wanted to be a biologist of some sort?) and chronicle their careers from child to adult to legend.\u00a0 But what is most interesting is that each gives the sense of looking at himself as a supporting character to the film\u2019s true star – the guitar.\"IMG_-_2\"<\/p>\n

Fascinating is a look at the technical achievements and developments each has brought not only to music but to the guitar.\u00a0 For Page, it\u2019s the double neck guitar which was initially designed and developed for the first tour following the release of Zeppelin IV with the classic, \u201cStairway to Heaven.\u201d\u00a0\u00a0 Page also is credited with incorporating mathematics into music performance with \u201cdistance equals depth\u201d, a formula and technique still used today whereby microphones are set up right next to amps but then another mic is placed 20-25 feet away and the sound the mixed to achieve the perfect naturally resonant echo.\u00a0 Page is also one of the first extremely hands-on musician-producers, now often a common practice.\u00a0 The Edge, one of the most techno savvy guys out there, proudly displays and demonstrates his pedal sound effects designs.\u00a0 White is the father of invention.\u00a0 Give him a few nails, a piece of wood, an empty Coca Cola bottle and a steel string and he will give you an amplified guitar.\u00a0 White is also credited with the innovative design of a hand mic custom placed inside his guitar.<\/p>\n

Watching the three together, the camera captures their shared passion, love and appreciation.\u00a0 You see what drives them, moves them, inspires them now and inspired them then.\u00a0 Page has an elegance and grace about him.\u00a0 The elder statesman, if you will.\u00a0 You note his long slender fingers as he not only solos, but jams with The Edge and White, and even when doing an air guitar solo to an old 45 record of his favorite, Link Wray\u2019s \u201cRumble.\u201d\u00a0\u00a0 Page doing air guitar is beyond Grammy gold as the platinum-haired Page disappears into his youth.\u00a0 His face transforms into youthful joy as he lives each and every note and memory of this song.\u00a0\u00a0 A truly beautiful moment to behold.\u00a0 The Edge is your average guy in the street but goes inside of himself when he starts to play.\u00a0 You see the emotional transformation as he becomes one with the guitar.\u00a0 White has an intensity and earthiness all his own which we see not only through footage of fingers and guitar strings bloodied from his furious play, but from the bluesey vibe he puts forth.\u00a0 Each is oblivious to the everyone and everything around them when they play.\u00a0 Each has a relationship with the guitar that rivals all others.\"IMG_-_3\"<\/p>\n

Always a huge fan of Page and Zeppelin (for me, nothing in their repertoire\u00a0 tops \u201cBlack Dog\u201d), I was less familiar with White and The Edge.\u00a0 And while the film gives me a true appreciation for The Edge, White is the one that totally takes me by surprise and by seeing him in this quite intimate setting, has won me over as a fan for life.\u00a0\u00a0 White, quite honestly, is a genius.\u00a0 His musical diversity is boundless.\u00a0 His musical styles eclectic.\u00a0 But no matter whether he is playing or writing punk, blues or rock, there is always a simplistic element of elegance that permeates his music and his performance.\u00a0\u00a0 Of the three, it is White who, I believe, becomes his music, a fact which is so apparent as, oblivious to his own intensity, finishes a set only to find his guitar strings covered in blood and his fingers and knuckles bleeding from the fury of his fingers.<\/p>\n

Guggenheim breaks the film into multiple thematic segments, giving the audience one-on-one time with each icon and their reminiscences, as well as taking us on little travelogues through time as each musician takes us on their individual journey \u201cback to where it all began.\u201d\u00a0 Travelling from Headley Grange where \u201cStairway to Heaven\u201d and \u201cBlack Dog\u201d were written and Page\u2019s private tour and personal insight and recollections into his experiences there, to The Edge\u2019s small studio in Dublin where he is laying down tracks and to his high school where he hooked up with a guy now known as Bono oh so many years ago, to an old farmhouse in Tennessee where White actually pens a tune while on camera, your hairs will stand on end with awe and excitement at watching history unfold before you.\u00a0 Adding to the experience is the knowledge that never before have these stories been told in this fashion.\u00a0 Never before has a camera been welcomed into the home of Jimmy Page or the kitchen of The Edge.\u00a0 We even get to see Jack White\u2019s first electric guitar; plastic, purchased in the long-defunct Montgomery Ward\u2019s Department Store.\u00a0\u00a0\u00a0 I had goosebumps throughout most of this film.\u00a0 It\u2019s that special.\u00a0 And Zeppelin fans, a do not miss for you, Page\u2019s tour of the actual staircase and hallway at Headley Grange where John Bonham recorded the echoing drum parts of the infamous \u201cWhen the Levee Breaks\u201d complete with Page commentary on the writing and recording of the album.<\/p>\n

\"img_-_5\"<\/p>\n

Interestingly, Guggenheim avoids the effusive praise and patting-on-the-back scenes so often found in films, documentaries and biographies of this nature.\u00a0 No fan boys or mutual admiration society going on here.\u00a0 In fact, never do you hear any of the three talk about being influenced by the other or even that they like what the other does.\u00a0 Besides the guitar, however, what they all celebrate are the musicians that came before them.\u00a0 However, one of the most ethereal moments in the film finds Page tearing up \u201cWhole Lotta Love\u201d with the Edge jumping to his feet, beaming from ear to ear watching Page\u2019s fingers while White taps his foot to the beat leaning ever closer to a grandmaster, himself also mesmerized by the fluidity of Page\u2019s fingers.<\/p>\n

From the opening sequence, we are treated to what is almost a pornographic celebration of the guitar.\u00a0 Sharp, vivid images of smooth, silken curves of various guitars likening them to the curves of a woman.\u00a0 Razor-sharp steely iced guitar strings ready to rake marks across your body.\u00a0 As Page puts it, when handling a guitar, \u201ccaress it like a woman.\u201d\u00a0 Guggenheim\u2019s camera does just that.\u00a0 Crisply edited with an enormous amount of vintage footage of classic performances not only from Page, The Edge and White but their idols, interwoven with the film\u2019s culmination of\u00a0 \u201cthe summit\u201d\u00a0 – a first time meeting of our heroes and their jam session – this is THE film for anyone that appreciates music.\u00a0 And if you are a fan of any of the three, this is beyond must see.<\/p>\n

\"img_-_8\"<\/p>\n

IT MIGHT GET LOUD… oh yeah.\u00a0 It\u2019s gonna get real loud.\u00a0 This is the penultimate intimate rock experience and your own little piece of rock ‘n roll heaven.<\/p>\n

Jimmy Page<\/p>\n

Jack White<\/p>\n

The Edge<\/p>\n

Directed by David Guggenheim.\u00a0\u00a0 97 minutes<\/p>\n","protected":false},"excerpt":{"rendered":"

By: debbie lynn elias Things will definitely get a little bit loud with the rockumentary IT MIGHT GET LOUD, a sit down with three generations of rock legends, guitarists Jimmy Page (Led Zeppelin), The Edge (U2) and Jack White (White Stripes).\u00a0 Three very different gentlemen.\u00a0 Three very different backgrounds.\u00a0 Three very different styles.\u00a0 One common […]<\/p>\n","protected":false},"author":2,"featured_media":7769,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[36,9],"tags":[1108],"class_list":["post-7762","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-movies","category-reviews","tag-it-might-get-loud"],"yoast_head":"\nIT MIGHT GET LOUD - Behind The Lens Online<\/title>\n<meta name=\"description\" content=\"Behind the Lens is your home for in-depth movie reviews, filmmaker & celebrity interviews, and more, all by industry professional and film critic debbie lynn elias...\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/behindthelensonline.net\/site\/reviews\/it-might-get-loud\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"IT MIGHT GET LOUD\" \/>\n<meta property=\"og:description\" content=\"Behind the Lens is your home for in-depth movie reviews, filmmaker & celebrity interviews, and more, all by industry professional and film critic debbie lynn elias...\" \/>\n<meta property=\"og:url\" content=\"https:\/\/behindthelensonline.net\/site\/reviews\/it-might-get-loud\/\" \/>\n<meta property=\"og:site_name\" content=\"Behind The Lens Online\" \/>\n<meta property=\"article:published_time\" content=\"2010-08-17T04:22:51+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2014-10-22T19:26:59+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/behindthelensonline.net\/site\/wp-content\/uploads\/2010\/08\/img_-_7.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"500\" \/>\n\t<meta property=\"og:image:height\" content=\"333\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"debbie lynn elias\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"debbie lynn elias\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"7 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/reviews\\\/it-might-get-loud\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/reviews\\\/it-might-get-loud\\\/\"},\"author\":{\"name\":\"debbie lynn elias\",\"@id\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/#\\\/schema\\\/person\\\/2d9b602095eb0ce3d363efb75ad0b5d4\"},\"headline\":\"IT MIGHT GET LOUD\",\"datePublished\":\"2010-08-17T04:22:51+00:00\",\"dateModified\":\"2014-10-22T19:26:59+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/reviews\\\/it-might-get-loud\\\/\"},\"wordCount\":1380,\"publisher\":{\"@id\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/reviews\\\/it-might-get-loud\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/wp-content\\\/uploads\\\/2010\\\/08\\\/img_-_7.jpg\",\"keywords\":[\"IT MIGHT GET LOUD\"],\"articleSection\":[\"Movies\",\"Reviews\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/reviews\\\/it-might-get-loud\\\/\",\"url\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/reviews\\\/it-might-get-loud\\\/\",\"name\":\"IT MIGHT GET LOUD - 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