{"id":8480,"date":"2010-08-13T11:21:36","date_gmt":"2010-08-13T18:21:36","guid":{"rendered":"http:\/\/moviesharkdeblore.com\/site\/?p=8480"},"modified":"2014-10-23T11:25:06","modified_gmt":"2014-10-23T18:25:06","slug":"bad-lieutenant-port-of-call-new-orleans","status":"publish","type":"post","link":"https:\/\/behindthelensonline.net\/site\/reviews\/bad-lieutenant-port-of-call-new-orleans\/","title":{"rendered":"BAD LIEUTENANT: PORT OF CALL NEW ORLEANS"},"content":{"rendered":"

By: debbie lynn elias<\/strong><\/p>\n

\"Bad_LTPoster1\"It\u2019s so good to be bad; especially when you\u2019re Nic Cage and you\u2019ve teamed up with the legendary Werner Herzog for BAD LIEUTENANT: PORT OF CALL NEW ORLEANS.\u00a0 Many of you may recall Abel Ferrera\u2019s 1992 \u201cBad Lieutenant\u201d.\u00a0 Do not be fooled into thinking Herzog\u2019s version is a remake.\u00a0 It is far from it.\u00a0 According to Herzog, \u201cBad Lieutenant\u201d was the title of a screenplay submitted to him.\u00a0 However, it was only after speaking with screenwriter William Finkelstein, who was familiar with the Ferrera version, and a \u201csolemn oath\u201d that this would not be a remake,\u00a0 that Herzog agreed to become involved.\u00a0\u00a0\u00a0 Never liking the title \u201cBad Lieutenant\u201d and not wanting to confuse the audience, Herzog wanted \u201cPort of Call New Orleans\u201d but ultimately compromised, agreeing to the hybrid BAD LIEUTENANT: PORT OF CALL NEW ORLEANS.\u00a0\u00a0 Typical Herzog, BAD LIEUTENANT: PORT OF CALL NEW ORLEANS is irreverent, witty and wry, with intricate storytelling and characterizations, one bad ass performance by Nicolas Cage and a surprisingly deft dramatic turn by Jennifer Coolidge.<\/p>\n

Terence McDonagh is about as tough as they come in New Orleans Police Department.\u00a0 He is also about as rogue as they come.\u00a0 A top cop with an insanely subversive streak, McDonagh injures his back saving a prisoner on a flooded cell block during Hurricane Katrina. \u00a0As a result of his heroism, McDonagh injures his back and becomes addicted to pain medication. Undeterred by this disabling pain,\u00a0 McDonagh leaps back into action at the earliest opportunity.\u00a0 However, his need for chemically assisted pain management gives him a\u00a0 green light to plunge headfirst into the underworld of crime and illegal and illicit drugs, scoring as many drugs for himself as criminals for the jails.\u00a0 Setting the stage for our story is the investigation into the murder of five African immigrants and the king pin drug dealer of New Orleans, Big Fate.<\/p>\n

But McDonagh\u2019s mania doesn\u2019t stop with his drug addiction.\u00a0 His personality is equally addictive while his heart is actually pure gold.\u00a0 In love with a high priced hooker, each feeds off the other, plunging deeper into the darkness of their addictions and each other.\u00a0 Adding to McDonagh\u2019s overall dysfunction is his father, an alcoholic trying to get his own life on track thanks to his new wife, Genevieve.<\/p>\n

Nicolas Cage is\u00a0 ****ing AWESOME as Terence McDonagh.\u00a0\u00a0 Physically and emotionally, he has the character so finely tuned, so nuanced, so layered, so downright insane.\u00a0 An absolute joy to watch!\u00a0\u00a0 He is pure magic on screen.\u00a0 One of his best roles in a long time if not the best performance of his career.\u00a0\u00a0 According to Cage, \u201cI designed Terrence.\u00a0\u00a0 I came in with a vision.\u00a0\u00a0 I designed him.\u00a0 I wanted him to have a bad back.\u00a0 I was thinking of things like Richard III.\u00a0 I like to get my body into it.\u00a0 My mother was a dancer so I like to use the body as part of the instrument of acting.\u00a0 I saw this back injury as an opportunity to transform myself so that\u2019s where that came from.\u00a0 The dialect, Werner and I agreed, we don\u2019t need it. [Terrence] could have been from anywhere.\u00a0 He is a New Orleans cop and his identity was New Orleans.\u00a0 He took pride in being in the South.\u00a0 He said, \u201cwe don\u2019t hit women down South\u201d so that\u2019s his identity but he could have been from anywhere.\u00a0\u00a0 Just like me.\u201d\u00a0\u00a0 Also contributing to the brilliance of his performance is the realism of McDonagh\u2019s coked up persona.\u00a0\u00a0 In Australia when he read the script, Cage had a massive sinus infection.\u00a0 He was sent to a doctor who \u201cdid this cocaine solution thing and he put it in my nose.\u00a0 I came out and I just started taking notes. I noticed that I my mouth was completely dry and I was feeling very invincible.\u00a0 And I started doing the scenes and improvising and coming up with ideas.\u00a0 I was swallowing a lot.\u00a0 I was drafting it in the script.\u00a0 \u2018Okay, now this is coke.\u00a0 This is what he\u2019s doing here.\u00a0 There\u2019s gonna be a\u00a0 lot of swallowing.\u00a0 There\u2019s gonna be a lot of lip smacking.\u00a0 And then this is heroin.\u00a0 He\u2019s gonna be a bit itchy.\u00a0 He\u2019s gonna be nodding.\u00a0 He\u2019s gonna be much slower.\u2019\u00a0 I didn\u2019t know when Werner was going to cut the scene with me taking heroin or the scene with me taking the coke, so I had to redraft the direction of the whole performance.\u201d<\/p>\n

\"2009-11-18_155753\"<\/p>\n

I have never been an Eva Mendes fan but I have to say, as Frankie, she has a great balance with Cage. Described by Cage as having evolved as an actress since working together in \u201cGhost Rider\u201d, here \u201cbut there\u2019s a new, more liquid, soft Eva Mendes that\u2019s very fluid and spontaneous.\u201d\u00a0 Together, their frenetic drug induced scenes are superb. As Sir Ben Kingsley told me, it takes a talent and skill to play a drunk or drugged out character. It’s not something you just “stagger around for.” Having said that, both Mendes and Cage are masterful with that side of their respective personas.<\/p>\n

One of the most surprising performances comes from Jennifer Coolidge.\u00a0 Best known for her comedic work, as Genevieve, Coolidge stretches her wings, more than holding her own in this supporting role with a pivotal dramatic performance that is riveting.\u00a0\u00a0 Almost missing out on the part, Coolidge thanks her lucky stars for Werner Herzog.\u00a0 \u201cWhen I think of when I went in to audition, it felt like it went so horrible and at one point I threw a paper bag and Werner was in the way.\u00a0 I didn\u2019t know the paper bag had a very hard, like two year old piece of bubblegum in it, and I could have taken Werner\u2019s eye out.\u00a0 He ducked at the right moment.\u00a0 It would have been terrible.\u00a0 You never know how you get a role.\u00a0 It\u2019s such a flukey thing.\u201d\u00a0 For Herzog, he knew immediately Coolidge was his Genevieve.\u00a0 \u201cIt was almost instantaneous, this was the one I should have in the film.\u00a0 And you can\u2019t really verbalize it or explain what it is.\u00a0 It\u2019s more a question of texture.\u201d<\/p>\n

Not to be overlooked are some standout performances by Val Kilmer as Detective Stevie Pruit and Alvin \u201cXzibit\u201d Joinder as Big Fate.<\/p>\n

William Finkelstein\u2019s script is one filled with intricacies, subtleties and sub-plots, all of which are part of the \u201cmaster story plan\u201d.\u00a0\u00a0\u00a0 Characters are full bodied, flawed and compelling.\u00a0\u00a0 Filled with dark, subversive humor in the script, on film, Herzog and Cage take it to the next level believing that \u201cas wild and debased as the character gets, the more he should enjoy himself.\u201d \u00a0Leading to the creation of a \u201cstrange humor\u201d for Herzog, \u201cit\u00a0 becomes hilarious and people laugh and respond.\u201d<\/p>\n

\"2009-11-18_155856\"<\/p>\n

Weaving all the pieces together, the story comes full circle thanks in large part to Herzog\u2019s direction and the work of his long time cinematographer Peter\u00a0 Zeitlinger.\u00a0 Described by Herzog as who \u201cdoes hand held camera better than anyone would do Steadi-Cam\u201d,\u00a0 Zeitlinger is a third eye for Herzog.\u00a0 \u201cHe is a man who would stop things for a moment and take the camera down and say, \u2018Werner, this scene has no rhythm. \u2018 No cinematographer before has spoken to me like that.\u00a0\u00a0 He has this feeling of movement and feeling of flow of something and I immediately have to readjust things.\u201d\u00a0\u00a0 Given this collaborate effort, as comes as no surprise, interesting camera angles parlay with the wonderful cinematography that really captures the grit and grime of the story and the degradation of the principals.\u00a0 However, there are trademark signs of Herzog, such as his fascination with animals and their casting in \u201cimportant\u201d roles.\u00a0 Not to be missed are his visual stylings of the \u201cdemented imaginations of iguanas\u201d which is pure Herzog at his most surreal.<\/p>\n

Important to BAD LIEUTENANT: PORT OF CALL NEW ORLEANS is Herzog\u2019s belief in keeping things \u201copen for the unexpected or moments \u201c such as \u201cJennifer Coolidge and Eva Mendes fighting over the handbag and the drugs.\u201d\u00a0 With not much scripting, he left it to \u201cthe two young ladies had to sort it out themselves.\u201d\u00a0 Cage also \u201c very often took liberty, like in jazz music, to have his own voice and improvise.\u201d\u00a0 Perhaps one of the greatest compliments for Herzog comes from Cage. \u00a0\u201cHe moves very quickly.\u00a0\u00a0 He has confidence in what I\u2019m going to do and I have confidence in what he\u2019s going to do.\u201d<\/p>\n

\"2009-11-18_155948\"<\/p>\n

Key to the entire project is the setting of New Orleans, something attributable to Cage.\u00a0 \u201cI felt that I had to go through a catharsis.\u00a0 That I had to face my fears.\u00a0 New Orleans is a very potent city in my life for various reasons.\u00a0 A combination of different energies – African, French, English, Spanish.\u00a0 A lot of magic there and I\u2019ve had experiences there.\u00a0 So I wanted to go back there to confront it and I knew that I would channel that.\u00a0 Anything could happen.\u00a0 It could either be a disaster or it could be something beautiful.\u00a0 So, I was up for the challenge.\u201d<\/p>\n

Manic, maddening, mesmerizing.\u00a0\u00a0 One of the best films of the year.\u00a0\u00a0 BAD LIEUTENANT: PORT OF CALL NEW ORLEANS.\u00a0 It\u2019s good to be bad.<\/p>\n

Terence McDonagh: Nicolas Cage<\/p>\n

Frankie Donnenfield: Eva Mendes<\/p>\n

Genevieve: Jennifer Coolidge<\/p>\n

Steve Pruit: Val Kilmer<\/p>\n

Directed by Werner Herzog.\u00a0 Written by William Finkelstein.<\/p>\n","protected":false},"excerpt":{"rendered":"

By: debbie lynn elias It\u2019s so good to be bad; especially when you\u2019re Nic Cage and you\u2019ve teamed up with the legendary Werner Herzog for BAD LIEUTENANT: PORT OF CALL NEW ORLEANS.\u00a0 Many of you may recall Abel Ferrera\u2019s 1992 \u201cBad Lieutenant\u201d.\u00a0 Do not be fooled into thinking Herzog\u2019s version is a remake.\u00a0 It is […]<\/p>\n","protected":false},"author":2,"featured_media":8484,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[36,9],"tags":[1210],"class_list":["post-8480","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-movies","category-reviews","tag-bad-lieutenant-port-of-call-new-orleans"],"yoast_head":"\nBAD LIEUTENANT: PORT OF CALL NEW ORLEANS - Behind The Lens Online<\/title>\n<meta name=\"description\" content=\"Behind the Lens is your home for in-depth movie reviews, filmmaker & celebrity interviews, and more, all by industry professional and film critic debbie lynn elias...\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/behindthelensonline.net\/site\/reviews\/bad-lieutenant-port-of-call-new-orleans\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"BAD LIEUTENANT: PORT OF CALL NEW ORLEANS\" \/>\n<meta property=\"og:description\" content=\"Behind the Lens is your home for in-depth movie reviews, filmmaker & celebrity interviews, and more, all by industry professional and film critic debbie lynn elias...\" \/>\n<meta property=\"og:url\" content=\"https:\/\/behindthelensonline.net\/site\/reviews\/bad-lieutenant-port-of-call-new-orleans\/\" \/>\n<meta property=\"og:site_name\" content=\"Behind The Lens Online\" \/>\n<meta property=\"article:published_time\" content=\"2010-08-13T18:21:36+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2014-10-23T18:25:06+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/behindthelensonline.net\/site\/wp-content\/uploads\/2010\/08\/2009-11-18_155856.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"599\" \/>\n\t<meta property=\"og:image:height\" content=\"396\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"debbie lynn elias\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"debbie lynn elias\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"8 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/reviews\\\/bad-lieutenant-port-of-call-new-orleans\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/reviews\\\/bad-lieutenant-port-of-call-new-orleans\\\/\"},\"author\":{\"name\":\"debbie lynn elias\",\"@id\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/#\\\/schema\\\/person\\\/2d9b602095eb0ce3d363efb75ad0b5d4\"},\"headline\":\"BAD LIEUTENANT: PORT OF CALL NEW ORLEANS\",\"datePublished\":\"2010-08-13T18:21:36+00:00\",\"dateModified\":\"2014-10-23T18:25:06+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/reviews\\\/bad-lieutenant-port-of-call-new-orleans\\\/\"},\"wordCount\":1600,\"publisher\":{\"@id\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/reviews\\\/bad-lieutenant-port-of-call-new-orleans\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/wp-content\\\/uploads\\\/2010\\\/08\\\/2009-11-18_155856.jpg\",\"keywords\":[\"BAD LIEUTENANT: PORT OF CALL NEW ORLEANS\"],\"articleSection\":[\"Movies\",\"Reviews\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/reviews\\\/bad-lieutenant-port-of-call-new-orleans\\\/\",\"url\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/reviews\\\/bad-lieutenant-port-of-call-new-orleans\\\/\",\"name\":\"BAD LIEUTENANT: PORT OF CALL NEW ORLEANS - 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