{"id":8776,"date":"2010-08-11T22:10:25","date_gmt":"2010-08-12T05:10:25","guid":{"rendered":"http:\/\/moviesharkdeblore.com\/site\/?p=8776"},"modified":"2014-10-23T14:15:26","modified_gmt":"2014-10-23T21:15:26","slug":"earth","status":"publish","type":"post","link":"https:\/\/behindthelensonline.net\/site\/reviews\/earth\/","title":{"rendered":"Earth"},"content":{"rendered":"

By: debbie lynn elias<\/strong><\/p>\n

Some of the greatest movie-going experiences of my childhood – and life – as well as that of so many others of my generation, were those through the Disney True-Life Adventure films. Not only were they educational and entertaining, but they sparked interest and raised questions in impressionable youth – including myself- which is now evidenced today in people like Al Gore and ecologic and environmental activists whose thoughts and opinions were shaped by those images of nature and wildlife that Walt Disney captured. For years now, we have missed so much by the absence of Disney’s True Life Adventures and its nature films, and I, for one, am ecstatic that the brand has been resurrected in the 21st Century with Disneynature. And what better way to inaugurate the film series than with EARTH.\"2009-05-01_225849\"<\/p>\n

Described by director Alastair Fothergill as a \u201cportrait of the whole planet\u201d, EARTH starts at the north pole and heads to the south.\u00a0 Thanks to vivid imagery, incredible, unparalleled, exquisite cinematography, new worlds are explored and the beauty of Earth’s “circle of life” unfolds before our eyes. It is absolutely BREATHTAKING. Crisp, clean, pristine images only enhance the beauty and wonder of the world in which we live. And thanks to two of my personal filmmaking techniques – time lapse photography and slow-mo – the magic of Mother Nature can be heralded and appreciated with immediacy – and a sense of urgency – as the calming, yet authoritative, voice of James Earl Jones narrates behind the beauteous splendor before us, not only celebrating in the spectacle and mystery of Earth, but reminding us of the problems this world now faces and the lives that will be lost thanks to global warming. This is pure magic.\"2009-05-01_225938\"<\/p>\n

Believing that \u201cwe need to have the same type of emotion as in any movies\u201d, with a \u201ccircle of life” theme, filmmakers Alastair Fothergill and Mark Linfield follow mothers and their offspring throughout the year in the Tundra, under the Sea, across the African plains and savannahs and in the Poles, with visuals that tell an unfolding story, tugging at your heart with the very first glimpse of the baby polar bear cubs. You’ve got the “awwwwww” factor from the opening frame and you are hooked.<\/p>\n

For Fothergill, in selecting the different species of animals in the film, \u201cWe wanted to choose animals that are affected by the seasons of the planet.\u201d\u00a0 And while the movie features 42 animal species, including some rare Birds of Paradise which provide some of the most comedic moments of the film and Mandarin Ducklings taking their first flight, key are the tales of a polar bear family, elephant family and humpback whales.\u00a0 According to Linfield, they are \u201cengaging animals\u201d but very seasonal, which works well with the concept of a year in the life of planet Earth.\"2009-05-01_225953\"<\/p>\n

Impressive is the tasteful and humane way the film addresses that circle of life – particularly when it comes to death. No blood and gore is necessary as the shear emotion created by the imagery and narration lets you know what comes next. What I found quite interesting is the humanity in which many animals attack they prey. Not pounding and ripping out the jugular or heart, but on examination,\u00a0 pursuing, pouncing, bringing to the ground and then in some cases actually “embracing” their prey before the kill.\u00a0 These four-footed cohabitants of the planet are more human than their human counterparts.\u00a0 For Fothergill, it is important to remember that \u201c these are family movies.\u00a0 We don\u2019t dwell on the blood and gore.\u00a0 You don\u2019t need to. The first rule of wildlife fimmaking is to be true to nature.\u00a0 You don\u2019t interfere.\u00a0 You don\u2019t get involved.\u00a0 You have to be true to it [nature] both on the screen and in the way you deal with those issues [death, attack, starvation].\u201d\u00a0\u00a0 Linfield reinforces Fothergill\u2019s beliefs. \u201cThis is the circle of life.\u00a0 That is nature.\u201d\"2009-05-01_230006\"<\/p>\n

Five years in the making.\u00a0 Three years of filming.\u00a0 2000 days in the field.\u00a0 Over 40 different production teams of the finest cameramen and cinematographers in the world.\u00a0 No script as \u201canimals don\u2019t work to script\u201d.\u00a0 According to Fothergill, \u201cthe original vision was to look at nature in cinema.\u00a0 It\u2019s been played on a relatively small canvas.\u00a0 Very focused movies on particular subjects.\u00a0 Mark and I felt that nobody had ever tried to do the whole planet.\u00a0 It seemed to be, for us, at a time when people were increasingly caring about the planet.\u00a0 It was the perfect time. We didn\u2019t quite appreciate the scale, the logistics.\u00a0 The genesis was to make an epic movie about an epic subject.\u00a0 We wanted to stack everything in our favor using the best scientists, the best location.\u00a0 And patience, patience, patience.\u201d<\/p>\n

According to Fothergill, beyond the logistical challenge, there were some real technological challenges in this movie.\u00a0 Luck was on their side that HD cameras had just become available at the beginning of the shooting.\u00a0\u00a0 \u201cThe classic example would be an extraordinary camera system called Cineflex which stabilizes a lens 4 or 5 times more powerful than has ever been stabilized in a helicopter before.\u00a0 Extremely important for wildlife documentaries because you can fly 4 or 5 times higher and still get all the close ups you need.\u201d\u00a0\u00a0 Beautiful examples of where the magic and excellence of the Cineflex shine forth are during a wolf hunt and a swimming father polar bear.\u00a0\u00a0 Fothergill, director of the polar bear segment, was moved to tears not only by the shear elegance and beauty of the lone polar bear swimming and diving into a calm deep pool of midnight blue water, but also the knowledge that no one had ever captured this type of moment on film before.\u00a0 For cinematographer Doug Allan, \u201cfilming underwater means getting up close, which is why it\u2019s so special.\u201d\u00a0 To Field Assistant, Chadden Hunter, the elephant shoot was \u201cvery special\u201d as the team lived with the elephants for nearly two months – both up close and at a distance – \u201cobserving them as they traveled across near barren desert.\u201d\"2009-05-01_230024\"<\/p>\n

On watching this epic, I think you will all spot the most dangerous segment of the shoot – night shooting with lions and elephants.\u00a0 Lensed from open vehicle it was not only dangerous but challenging as filming had to be done in infrared without normal lighting, making it difficult not only for the team but for the elephants who were running around in complete darkness trying to protect their calves from being eaten by some rather hungry lions.<\/p>\n

You may ask, as I did, why now?\u00a0 What compelled Disney to debut the Disneynature brand now?\u00a0 According to Executive Vice-President and General Manager of Disneynature, Jacques-Francois Camilleri, \u201cThere is a growing appetite from a worldwide audience for this type of films.\u00a0 We saw it with \u201cMicrocosmos\u201d, \u201cWinged Migration\u201d, \u201cMarch of the Penguins\u201d, \u201cEarth\u201d which has been released already in most of the European countries and Asia.\u00a0 It makes so much sense for Disney to bring these beautiful films and stories on the big screen.\u00a0 60 years ago we had True Life Adventures but even when TLA ended, since then Disney has always been very close to nature and animals.. .It\u2019s a perfect period to do it because people care about nature more.\u00a0 Technically speaking, we have these wonderful incredible directors working with us, but also the technics evolved so well.\u00a0 With today\u2019s beautiful theatres, with HD, with great sound, I think these wildlife feature films belong to the big screen and to the movie theatres, which might not have been the case 20 years ago. .\u00a0 Today, if you want to discover Earth and animal behavior and the incredible stories which are nature, then the movie theatres are the best place to discover them.\u00a0\u00a0 Technics might not be the most exciting thing, but every 6 months there is a brand new camera coming out.\u00a0 This wasn\u2019t the case 20 years ago.\u201d\"2009-05-01_230043\"<\/p>\n

The information that EARTH imparts is not only interesting, but is comprised of many little known facts. How many of us had any idea that 3 million caribou thunder across 2000 miles of tundra each migrating season? Or the long haul elephants make to a seemingly barren wasteland only to learn that appearances can be deceiving and thanks to a carefully designed ecosystem, by the time they arrive at their destination, the land is lush and green, creating a personal swimming pool for not only elephants, but all the safari creatures? And that Boreal Forest??????? Ringing the Arctic Circle and providing enough oxygen to reoxygenate the entire planet???????? WOW!!!!\"2009-05-01_230055\"<\/p>\n

Perhaps one of the most impressive and wonderful things about this film, and those upcoming in the Disneynature series – OCEANS, NAKED BEAUTY, AFRICAN CATS and CHIMPANZEES – is that there is nothing being done that isn\u2019t absolutely true to life.\"2009-05-01_230125\"<\/p>\n

As for the filmmakers wish for each of you on experiencing the wonders of EARTH, \u201cMore than anything else, we want them to have a good time in the cinema.\u00a0 If you had all the money in the world and ten lifetimes, you wouldn\u2019t see 10% of what we show you in the Earth movie.\u00a0 It\u2019s all there. It\u2019s still there.\u00a0 It needs preserving.\u00a0 We just want people to come out uplifted.\u201d\"2009-05-01_230147\"<\/p>\n

EARTH celebrates not only the circle of life, but the magic of Mother Nature, stirring the conscience to preserve the wonders that we call home.<\/p>\n

CAST – Mother Earth<\/p>\n

Directed by Alastair Fothergill and Mark Linfield<\/p>\n","protected":false},"excerpt":{"rendered":"

By: debbie lynn elias Some of the greatest movie-going experiences of my childhood – and life – as well as that of so many others of my generation, were those through the Disney True-Life Adventure films. Not only were they educational and entertaining, but they sparked interest and raised questions in impressionable youth – including […]<\/p>\n","protected":false},"author":2,"featured_media":8779,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[36,9],"tags":[1257],"class_list":["post-8776","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-movies","category-reviews","tag-earth"],"yoast_head":"\nEarth - Behind The Lens Online<\/title>\n<meta name=\"description\" content=\"Behind the Lens is your home for in-depth movie reviews, filmmaker & celebrity interviews, and more, all by industry professional and film critic debbie lynn elias...\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/behindthelensonline.net\/site\/reviews\/earth\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Earth\" \/>\n<meta property=\"og:description\" content=\"Behind the Lens is your home for in-depth movie reviews, filmmaker & celebrity interviews, and more, all by industry professional and film critic debbie lynn elias...\" \/>\n<meta property=\"og:url\" content=\"https:\/\/behindthelensonline.net\/site\/reviews\/earth\/\" \/>\n<meta property=\"og:site_name\" content=\"Behind The Lens Online\" \/>\n<meta property=\"article:published_time\" content=\"2010-08-12T05:10:25+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2014-10-23T21:15:26+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/behindthelensonline.net\/site\/wp-content\/uploads\/2010\/08\/2009-05-01_225849.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"854\" \/>\n\t<meta property=\"og:image:height\" content=\"456\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"debbie lynn elias\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"debbie lynn elias\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"8 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/reviews\\\/earth\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/reviews\\\/earth\\\/\"},\"author\":{\"name\":\"debbie lynn elias\",\"@id\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/#\\\/schema\\\/person\\\/2d9b602095eb0ce3d363efb75ad0b5d4\"},\"headline\":\"Earth\",\"datePublished\":\"2010-08-12T05:10:25+00:00\",\"dateModified\":\"2014-10-23T21:15:26+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/reviews\\\/earth\\\/\"},\"wordCount\":1588,\"publisher\":{\"@id\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/reviews\\\/earth\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/wp-content\\\/uploads\\\/2010\\\/08\\\/2009-05-01_225849.jpg\",\"keywords\":[\"Earth\"],\"articleSection\":[\"Movies\",\"Reviews\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/reviews\\\/earth\\\/\",\"url\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/reviews\\\/earth\\\/\",\"name\":\"Earth - 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