{"id":9263,"date":"2010-08-09T15:13:15","date_gmt":"2010-08-09T22:13:15","guid":{"rendered":"http:\/\/moviesharkdeblore.com\/site\/?p=9263"},"modified":"2014-10-30T20:19:03","modified_gmt":"2014-10-31T03:19:03","slug":"alien-trespass","status":"publish","type":"post","link":"https:\/\/behindthelensonline.net\/site\/reviews\/alien-trespass\/","title":{"rendered":"ALIEN TRESPASS"},"content":{"rendered":"

By: debbie lynn elias<\/strong><\/p>\n

\"Poster22\"Who out there hasn\u2019t been entertained – or even a little scared – watching classic sci-fi films like \u201cThe Day the Earth Stood Still\u201d, \u201cWar of the Worlds\u201d or \u201cIt Came From Outer Space\u201d – be it in the theater or years later when the films made their way to tv, often UHF?\u00a0 I remember watching all of these films with my dad and being mesmerized by them, particularly the effects and how they were done – by hand – not CGI as today.\u00a0 Viewing those films today (many of which were \u201cA\u201d films with big premieres and Oscar winners in the cast and not the \u201ccamp\u201d so many today believe them to be), not only do you still see the hallmarks of creative filmmaking excellence but a different style of acting and technology.\u00a0 Enter R.W. Goodwin and the 21st Century and his desire to do an \u201cauthentic\u201d 1950’s sci-fi flick.\u00a0\u00a0 With a philosophy to \u201cseriously and in earnest make the best sci fi movie that we can make\u201d and \u201cthe only condition is that we are living in 1957 and we have to stay within the style and the technology of what we have available at that time\u201d, the result is the ridiculously fun ALIEN TRESPASS.<\/p>\n

\u00a0\"2009-04-01_123514\"<\/span><\/p>\n

The time is 1957.\u00a0 The place, a beautiful starlit night in the Mojave desert.\u00a0 Noted astronomer Professor Ted Lewis is home cooking a romantic anniversary dinner for his loving wife Lana.\u00a0\u00a0 Ironically, the Perseid Meteors are showering that night.\u00a0 Handy with the barbecue, Ted suddenly stops in his tracks when he sees a flaming object in the sky erratically hurtling towards the nearby mountains.\u00a0 Certain it\u2019s not a meteor, he is anxious to investigate, but puts his scientific desires on the back burner while he satisfies another desire with Lana.\u00a0\u00a0 Across town, Tammy, a waitress in a local diner who has aspirations of being a great artist, falls under the spell of the meteor shower, and one particularly erratic shooting star which she takes as a g<\/span>ood omen and makes a wish upon that star.\u00a0 Local town teens, Dick and Penny, who are up at Lover\u2019s Lane for a make-out fest, are the only ones, however, that see what this star really is – a spaceship from outer space.<\/p>\n

\"2009-04-01_123542\"\u00a0<\/span><\/p>\n

In the morning, curiosity gets the best of everyone as Dr. Lewis hightails it up to the mountains to investigate, as do Dick and Penny, and Officer Vernon and his partner Officer Stu after being tipped off at the diner by Dick and Penny.\u00a0\u00a0 In the meantime, we are privy to witness the emergence from the spaceship of\u00a0 a silver suited alien named Urp\u00a0 and another not so friendly looking creature who we later learn is the evil Ghota; a 4 foot high one-eyed monster who devours everything in its path as it slithers along on tickler-type feet leaving nothing but a mud puddle of residue.\u00a0 The problem with\u00a0<\/span>the Ghota is that it duplicates very quickly and if not stopped, will take over the Earth.<\/p>\n

\u00a0\"2009-04-01_123554\"<\/span><\/p>\n

As Lewis approaches the spaceship he is suddenly yanked inside but quickly emerges although a bit disheveled and looking \u201cnot quite right.\u201d\u00a0 It seems Urp has taken over Lewis\u2019 body in order to search, recover and stop the Ghota without being noticed!\u00a0 Tracking the Ghota, Urp soon enlists the help of Tammy who, although initially a skeptic, is open minded enough to believe Urp, particularly when mud puddles of human remains start popping up all over town and after she herself is attacked by the Ghota.\u00a0\u00a0 Summoning all her strength and relying on her smarts, and the help of Urp, Dick and Penny, the group must not only fight to save civilization but stand against a non-believing police chief and panicked town.<\/span><\/p>\n

\u00a0\"2009-04-01_123717\"<\/span><\/p>\n

The performances are terrificly fun and in the case of Eric McCormack, doubly so, as he plays not only Professor Lewis, but the alien Urp inhabiting Dr. Lewis\u2019 body and does each distinctly different.\u00a0\u00a0 \u201cThe image I used is, because I was an alien in another person\u2019s body, I said I should drive that body the way an alien would drive a stolen car.\u00a0 That was the fun of the walk and the talk and the hands and discovering.\u00a0 The most fun was that whenever [Urp] was around [Tammy], he keeps getting a hard on which he calls \u2018a polarity.\u00a0 It\u2019s funny.\u00a0 Those are funny moments.\u201d\u00a0 For McCormack, \u201cI loved Bob Goodwin\u2019s enthusiasm.\u00a0 I did this with no expectation of it being seen by anyone.\u00a0 I said to him, I love the script.. .I\u2019m just going to enjoy myself.\u201d\u00a0 And he clearly\u00a0<\/span>does.\u00a0\u00a0 Think Data of \u201cStar Trek\u201d with an emotion chip.<\/p>\n

\"2009-04-01_123853\"\u00a0<\/span><\/p>\n

Jenni Baird may be new to American audiences but I expect that to change very quickly.\u00a0\u00a0 Not only is she a flawless beauty, but she is luminous on screen.\u00a0 She also knows and works her character of Tammy with exacting measure reproducing the 50’s genre and styling perfectly.\u00a0 As Tammy, Baird is actually the heroine of the film, something which Baird sees as \u201ca relief to not play the damsel in distress.\u201d\u00a0 Surprisingly, this was Baird\u2019s first film audition in America.\u00a0 On reading the script she \u201cthought it was really cute and would be a lot of fun.\u201d\u00a0\u00a0 Baird was also unfamiliar with the genre and \u201chad to do a whole re-education.\u00a0 Bob, when he cast me, sent me about six films and said \u2018You need to watch this.\u00a0 You need to emulate the acting style.\u00a0 You need to really absorb what the genre is so you can fit right in.\u2019\u00a0 They wanted our acting style to be authentic.\u201d\u00a0 Baird just nails it.\u00a0 Take a look at the performances of Patricia Neal or Barbara Rush or even Steve McQueen in any of the 50’s classics and Baird\u2019s performance is right on.\u00a0 As described by McCormack, Baird \u201cis t<\/span>he Ripley\u201d in this film.<\/p>\n

\"2009-04-01_123617\"\u00a0<\/span><\/p>\n

The wonderful Dan Lauria (whom I will watch in anything on stage and on screen) turns in another solid performance as Police Chief Dawson.\u00a0 He does low key, and often put-upon, cops so well and here is no exception.\u00a0 With an Andy Taylor attitude, and a man just two days from retirement, the last thing Dawson wants is trouble in this little Mayberryesque town of his.\u00a0 Lauria\u2019s performance captures not only the head-in-the-sand naivete of the character and the town, but also provides a caring, paternal quality that is endearing.\u00a0 As for Robert Patrick, he always brings a “snideliness” to his characters and does so here as Officer Vernon with great aplomb.\u00a0 And talk about funny!\u00a0 Check out the scene with him scene with him in the doctor’s house pretended to be choked by the “monster.”\u00a0 Not played for camp but merely as a smart ass, he will have you rolling.\u00a0 For Patrick this was also a chance to \u201cstep back in time and do a film the way they used to do it.\u201d<\/span><\/p>\n

\"2009-04-01_123646\"\u00a0<\/span><\/p>\n

The genesis of ALIEN TRESPASS comes from James Swift and started 20 years ago.\u00a0 Ultimately he hooked up with co-writer Steven Fisher and director Bob Goodwin, who fell in love with the sci-fi \u201crecreation\u201d concept created by Swift and Fisher.\u00a0\u00a0 All three are clearly fans of the genre and the original classics.\u00a0 Great with the double entendres, they play with wry, dry irony and wit which when compounded with the recreation styled acting and dialogue creates this subtle humor that stays with you long after the film ends.\u00a0 Great attention is paid to the development of each character, even those with minimal screen time, which of course is enhanced by the period perfect costuming and production design.\u00a0 A real \u201ctwist\u201d to the story is having a female as the heroine.\u00a0 Little subtleties celebrate the role reversals such as Tammy not knowing that vacuum cleaners require bags and Lewis doing the cooking in his family.\u00a0<\/span><\/p>\n

\u00a0\"2009-04-01_123700\"<\/span><\/p>\n

With a film titled ALIEN TRESPASS, I initially expected to see campy balls-out humor going for slapstick at every turn, however that is not what Goodwin gives us….and considering his work with \u201cThe X-Files\u201d, I should have known better. He plays the story straight. As in the 50’s when these films were popping out a dime a dozen, the acting, timing, pacing, story, dialogue – here all is very 1950’s appropriate. And rather than do a parody, Goodwin has the actors play their roles straight as if in the 1950’s with each taking the character “seriously”. Then Goodwin zings us by tactfully weaving in the humor with skilled subtlety and meticulous execution.\u00a0<\/span><\/p>\n

\"2009-04-01_123605\"\u00a0<\/span><\/p>\n

Bob Goodwin clearly had a vision in mind when he agreed to helm ALIEN TRESPASS.\u00a0\u00a0 \u201cI wanted to do a 1957 film exactly as it was done in 1957.\u00a0 I knew that if we struck it right and got it exactly right, it would be funny.\u00a0 It wasn\u2019t being funny by trying to be funny.\u00a0 That\u2019s why the cast is so brilliant.\u00a0 Because they did that.\u201d\u00a0\u00a0 As a whole, the project was \u201cchallenging because nothing existed.\u00a0\u00a0 We had to build everything.\u201d\u00a0 A surprise was Goodwin\u2019s use of Super 16mm film.\u00a0 \u201cIt had to be film.\u00a0 That was definite.\u00a0 I would have shot in 35 mm but we were trying to save money.\u00a0 Kodak has this new Vision stock which is great with the new Arriflex 416 camera and there\u2019s a company in Canada where they do what they call \u201cdegraining\u201d and they pull all the grain out of the 16mm.\u00a0 When we first screened it on tests on a big screen, it was just beautiful.\u201d\u00a0 For his styling, Goodwin looked to \u201cWar of the Worlds\u201d.\u00a0 \u201cIt was that lush 50’s color and beautiful sets and beautiful lighting.\u201d\u00a0\u00a0\u00a0 ASC winner David Moxness really celebrates the vibrancy of the 1950’s color palette and showcases it beautifully with cinematographic excellence capturing the entire Technicolor feel.\u00a0 Another great touch is the insertion of archival 1957 film footages celebrating science fiction and aliens in the opening montage.<\/span><\/p>\n

\u00a0\"2009-04-01_123744\"<\/span><\/p>\n

Goodwin also believed in thorough prep and kept his entire crew involved in each and every aspect of the film.\u00a0 Everyone was given genre specific films to watch so they would know what to look for, how to design and what to do to stay in the period.\u00a0 Even camera lensing was restricted to that available in the 50’s – the 25, 50 and 75.\u00a0<\/span><\/p>\n

Ian Thomas, who I believe can design for any period, genre and effect, does a masterful job here as production designer which is enhanced by Louise Roper’s set decoration. The meticulous attention to detail with the various sets; appliances, furniture, cabinetry, colors, even the styling of dishware and eggs and milk in glass containers in the refrigerator\u00a0 – perfect – and all built for this film, right down to a star canopy.\u00a0 As Goodwin said, \u201cThere is nothing that is not 1950’s.\u201d\u00a0\u00a0 As for costuming, Jenni Gullet is pallette and pattern perfection.\u00a0 Interestingly, a large portion of the costuming had to be made with great searches undertaken to find period perfect fabrics.<\/span><\/p>\n

Lost on many may be the perfection in the simplicity of Urp’s design and costume as well as the space ship. Sticking with the technology and the capa<\/span>bilities of the craft in the 50’s, rather than add anything high tech, these “effects” are true to that created in the 50’s, including using fishing line to pull creatures across the screen.\u00a0 And the Ghota!\u00a0 Again, simplistic and in keeping with filmmaking of the era, the Ghota is actually a rubber suit.\u00a0 This is so heartwarming and refreshing. At every little turn there really is great homage paid to the classic space\/alien thrillers of days gone by.<\/p>\n

A fun, fun movie that is chock full of so much appreciation for the genre, the era and the art of filmmaking that for Lauria, he would like to see the audience go back and look and see where this film came from.\u00a0 His other hope, to see\u00a0 \u201cA grandfather with a 10 year old grandson both laughing their heads off together.\u201d\u00a0 For Goodwin, he wants the audience to have fun.\u00a0\u00a0 ALIEN TRESPASS – these aliens can trespass on a movie screen near me anytime!<\/span><\/p>\n

Urp\/Ted Lewis – Eric McCormack
\nTammy – Jenny Baird
\nChief\u00a0 Dawson – Dan Lauria
\nOfficer Vernon – Robert Patrick<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

By: debbie lynn elias Who out there hasn\u2019t been entertained – or even a little scared – watching classic sci-fi films like \u201cThe Day the Earth Stood Still\u201d, \u201cWar of the Worlds\u201d or \u201cIt Came From Outer Space\u201d – be it in the theater or years later when the films made their way to tv, […]<\/p>\n","protected":false},"author":2,"featured_media":9267,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[36,9],"tags":[1396],"class_list":["post-9263","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-movies","category-reviews","tag-alien-trespass"],"yoast_head":"\nALIEN TRESPASS - Behind The Lens Online<\/title>\n<meta name=\"description\" content=\"Behind the Lens is your home for in-depth movie reviews, filmmaker & celebrity interviews, and more, all by industry professional and film critic debbie lynn elias...\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/behindthelensonline.net\/site\/reviews\/alien-trespass\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"ALIEN TRESPASS\" \/>\n<meta property=\"og:description\" content=\"Behind the Lens is your home for in-depth movie reviews, filmmaker & celebrity interviews, and more, all by industry professional and film critic debbie lynn elias...\" \/>\n<meta property=\"og:url\" content=\"https:\/\/behindthelensonline.net\/site\/reviews\/alien-trespass\/\" \/>\n<meta property=\"og:site_name\" content=\"Behind The Lens Online\" \/>\n<meta property=\"article:published_time\" content=\"2010-08-09T22:13:15+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2014-10-31T03:19:03+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/behindthelensonline.net\/site\/wp-content\/uploads\/2010\/08\/2009-04-01_123542.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"427\" \/>\n\t<meta property=\"og:image:height\" content=\"259\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"debbie lynn elias\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"debbie lynn elias\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"10 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/reviews\\\/alien-trespass\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/reviews\\\/alien-trespass\\\/\"},\"author\":{\"name\":\"debbie lynn elias\",\"@id\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/#\\\/schema\\\/person\\\/2d9b602095eb0ce3d363efb75ad0b5d4\"},\"headline\":\"ALIEN TRESPASS\",\"datePublished\":\"2010-08-09T22:13:15+00:00\",\"dateModified\":\"2014-10-31T03:19:03+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/reviews\\\/alien-trespass\\\/\"},\"wordCount\":2050,\"publisher\":{\"@id\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/reviews\\\/alien-trespass\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/wp-content\\\/uploads\\\/2010\\\/08\\\/2009-04-01_123542.jpg\",\"keywords\":[\"ALIEN TRESPASS\"],\"articleSection\":[\"Movies\",\"Reviews\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/reviews\\\/alien-trespass\\\/\",\"url\":\"https:\\\/\\\/behindthelensonline.net\\\/site\\\/reviews\\\/alien-trespass\\\/\",\"name\":\"ALIEN TRESPASS - 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