{"id":9545,"date":"2014-11-01T16:52:20","date_gmt":"2014-11-01T23:52:20","guid":{"rendered":"http:\/\/moviesharkdeblore.com\/site\/?p=9545"},"modified":"2014-11-03T15:45:24","modified_gmt":"2014-11-03T23:45:24","slug":"134-documentary-features-submitted-for-2014-oscar-race","status":"publish","type":"post","link":"https:\/\/behindthelensonline.net\/site\/events\/134-documentary-features-submitted-for-2014-oscar-race\/","title":{"rendered":"134 Documentary Features Submitted For 2014 Oscar\u00ae Race"},"content":{"rendered":"<p><img fetchpriority=\"high\" decoding=\"async\" class=\"aligncenter size-full wp-image-9764\" src=\"http:\/\/behindthelensonline.net\/site\/wp-content\/uploads\/2014\/11\/Oscars-press-release-header.jpg\" alt=\"Oscars-press-release-header\" width=\"625\" height=\"120\" srcset=\"https:\/\/behindthelensonline.net\/site\/wp-content\/uploads\/2014\/11\/Oscars-press-release-header.jpg 625w, https:\/\/behindthelensonline.net\/site\/wp-content\/uploads\/2014\/11\/Oscars-press-release-header-400x76.jpg 400w, https:\/\/behindthelensonline.net\/site\/wp-content\/uploads\/2014\/11\/Oscars-press-release-header-300x57.jpg 300w\" sizes=\"(max-width: 625px) 100vw, 625px\" \/><\/p>\n<p>&nbsp;<\/p>\n<p>LOS ANGELES, CA \u2013 One hundred thirty-four features have been submitted for consideration in the Documentary Feature category for the 87th Academy Awards\u00ae.<\/p>\n<p>The submitted features, listed in alphabetical order, are:<\/p>\n<p>\u201cAfternoon of a Faun: Tanaquil Le Clercq\u201d<br \/>\n\u201cAi Weiwei: The Fake Case\u201d<br \/>\n\u201cAlgorithms\u201d<br \/>\n\u201cAlive Inside\u201d<br \/>\n\u201cAll You Need Is Love\u201d<br \/>\n\u201cAltina\u201d<br \/>\n\u201cAmerica: Imagine the World without Her\u201d<br \/>\n\u201cAmerican Revolutionary: The Evolution of Grace Lee Boggs\u201d<br \/>\n\u201cAnita\u201d<br \/>\n\u201cAntarctica: A Year on Ice\u201d<br \/>\n\u201cArt and Craft\u201d<br \/>\n\u201cAwake: The Life of Yogananda\u201d<br \/>\n\u201cThe Barefoot Artist\u201d<br \/>\n\u201cThe Battered Bastards of Baseball\u201d<br \/>\n\u201cBefore You Know It\u201d<br \/>\n\u201cBitter Honey\u201d<br \/>\n\u201cBorn to Fly: Elizabeth Streb vs. Gravity\u201d<br \/>\n\u201cBotso The Teacher from Tbilisi\u201d<br \/>\n\u201cCaptivated The Trials of Pamela Smart\u201d<br \/>\n\u201cThe Case against 8\u201d<br \/>\n\u201cCesar\u2019s Last Fast\u201d<br \/>\n\u201cCitizen Koch\u201d<br \/>\n\u201cCitizenFour\u201d<br \/>\n\u201cCode Black\u201d<br \/>\n\u201cConcerning Violence\u201d<br \/>\n\u201cThe Culture High\u201d<br \/>\n\u201cCyber-Seniors\u201d<br \/>\n\u201cDamNation\u201d<br \/>\n\u201cDancing in Jaffa\u201d<br \/>\n\u201cDeath Metal Angola\u201d<br \/>\n\u201cThe Decent One\u201d<br \/>\n\u201cDinosaur 13\u201d<br \/>\n\u201cDo You Know What My Name Is?\u201d<br \/>\n\u201cDocumented\u201d<br \/>\n\u201cThe Dog\u201d<br \/>\n\u201cE-Team\u201d<br \/>\n\u201cElaine Stritch: Shoot Me\u201d<br \/>\n\u201cElena\u201d<br \/>\n\u201cEvolution of a Criminal\u201d<br \/>\n\u201cFed Up\u201d<br \/>\n\u201cFinding Fela\u201d<br \/>\n\u201cFinding Vivian Maier\u201d<br \/>\n\u201cFood Chains\u201d<br \/>\n\u201cThe Galapagos Affair: Satan Came to Eden\u201d<br \/>\n\u201cGetting to the Nutcracker\u201d<br \/>\n\u201cGlen Campbell\u2026I\u2019ll Be Me\u201d<br \/>\n\u201cGore Vidal: The United States of Amnesia\u201d<br \/>\n\u201cThe Great Flood\u201d<br \/>\n\u201cThe Great Invisible\u201d<br \/>\n\u201cThe Green Prince\u201d<br \/>\n\u201cThe Hacker Wars\u201d<br \/>\n\u201cThe Hadza: Last of the First\u201d<br \/>\n\u201cHanna Ranch\u201d<br \/>\n\u201cHappy Valley\u201d<br \/>\n\u201cThe Hornet\u2019s Nest\u201d<br \/>\n\u201cI Am Ali\u201d<br \/>\n\u201cIf You Build It\u201d<br \/>\n\u201cThe Immortalists\u201d<br \/>\n\u201cThe Internet\u2019s Own Boy\u201d<br \/>\n\u201cIvory Tower\u201d<br \/>\n\u201cJames Cameron\u2019s Deepsea Challenge\u201d<br \/>\n\u201cJodorowsky\u2019s Dune\u201d<br \/>\n\u201cJourney of a Female Comic\u201d<br \/>\n\u201cKeep On Keepin\u2019 On\u201d<br \/>\n\u201cKids for Cash\u201d<br \/>\n\u201cThe Kill Team\u201d<br \/>\n\u201cKorengal\u201d<br \/>\n\u201cLa Bare\u201d<br \/>\n\u201cLast Days in Vietnam\u201d<br \/>\n\u201cLast Hijack\u201d<br \/>\n\u201cThe Last Patrol\u201d<br \/>\n\u201cLevitated Mass\u201d<br \/>\n\u201cLife Itself\u201d<br \/>\n\u201cLittle White Lie\u201d<br \/>\n\u201cLlyn Foulkes One Man Band\u201d<br \/>\n\u201cMagician: The Astonishing Life and Work of Orson Welles\u201d<br \/>\n\u201cManakamana\u201d<br \/>\n\u201cMerchants of Doubt\u201d<br \/>\n\u201cMission Blue\u201d<br \/>\n\u201cMistaken for Strangers\u201d<br \/>\n\u201cMitt\u201d<br \/>\n\u201cMonk with a Camera\u201d<br \/>\n\u201cNas: Time Is Illmatic\u201d<br \/>\n\u201cNational Gallery\u201d<br \/>\n\u201cNext Goal Wins\u201d<br \/>\n\u201cNext Year Jerusalem\u201d<br \/>\n\u201cNight Will Fall\u201d<br \/>\n\u201cNo Cameras Allowed\u201d<br \/>\n\u201cNow: In the Wings on a World Stage\u201d<br \/>\n\u201cOccupy the Farm\u201d<br \/>\n\u201cThe Only Real Game\u201d<br \/>\n\u201cThe Overnighters\u201d<br \/>\n\u201cParticle Fever\u201d<br \/>\n\u201cPay 2 Play: Democracy\u2019s High Stakes\u201d<br \/>\n\u201cPelican Dreams\u201d<br \/>\n\u201cThe Pleasures of Being Out of Step\u201d<br \/>\n\u201cPlot for Peace\u201d<br \/>\n\u201cPoint and Shoot\u201d<br \/>\n\u201cPoverty Inc.\u201d<br \/>\n\u201cPrint the Legend\u201d<br \/>\n\u201cPrivate Violence\u201d<br \/>\n\u201cPump\u201d<br \/>\n\u201cRabindranath Tagore \u2013 The Poet of Eternity\u201d<br \/>\n\u201cRed Army\u201d<br \/>\n\u201cRemote Area Medical\u201d<br \/>\n\u201cRich Hill\u201d<br \/>\n\u201cThe Rule\u201d<br \/>\n\u201cThe Salt of the Earth\u201d<br \/>\n\u201cShadows from My Past\u201d<br \/>\n\u201cShe\u2019s Beautiful When She\u2019s Angry\u201d<br \/>\n\u201cA Small Section of the World\u201d<br \/>\n\u201cSmiling through the Apocalypse \u2013 Esquire in the 60s\u201d<br \/>\n\u201cSupermensch: The Legend of Shep Gordon\u201d<br \/>\n\u201cThe Supreme Price\u201d<br \/>\n\u201cTales of the Grim Sleeper\u201d<br \/>\n\u201cTanzania: A Journey Within\u201d<br \/>\n\u201cThis Is Not a Ball\u201d<br \/>\n\u201cThomas Keating: A Rising Tide of Silence\u201d<br \/>\n\u201cThrough a Lens Darkly: Black Photographers and the Emergence of a People\u201d<br \/>\n\u201cTrue Son\u201d<br \/>\n\u201c20,000 Days on Earth\u201d<br \/>\n\u201cUnclaimed\u201d<br \/>\n\u201cUnder the Electric Sky\u201d<br \/>\n\u201cUnderwater Dreams\u201d<br \/>\n\u201cVirunga\u201d<br \/>\n\u201cWaiting for August\u201d<br \/>\n\u201cWalking the Camino: Six Ways to Santiago\u201d<br \/>\n\u201cWarsaw Uprising\u201d<br \/>\n\u201cWatchers of the Sky\u201d<br \/>\n\u201cWatermark\u201d<br \/>\n\u201cWe Are the Giant\u201d<br \/>\n\u201cWe Could Be King\u201d<br \/>\n\u201cWhitey: United States of America v. James J. Bulger\u201d<br \/>\n\u201cA World Not Ours\u201d<\/p>\n<p>Several of the films have not yet had their required Los Angeles and New York qualifying releases. Submitted features must fulfill the theatrical release requirements and comply with all of the category\u2019s other qualifying rules in order to advance in the voting process.\u00a0 A shortlist of 15 films will be announced in December.<\/p>\n<p>Films submitted in the Documentary Feature category also may qualify for Academy Awards in other categories, including Best Picture, provided they meet the requirements for those categories.<\/p>\n<p>The 87th Academy Awards nominations will be announced live on Thursday, January 15, 2015, at 5:30 a.m. PT in the Academy\u2019s Samuel Goldwyn Theater.<\/p>\n<p>The Oscars\u00ae will be held on Sunday, February 22, 2015, at the Dolby Theatre\u00ae at Hollywood &amp; Highland Center\u00ae in Hollywood, and will be televised live by the ABC Television Network.\u00a0 The Oscar presentation also will be televised live in more than 225 countries and territories worldwide.<\/p>\n<p>&nbsp;<\/p>\n<p align=\"center\"># # #<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; LOS ANGELES, CA \u2013 One hundred thirty-four features have been submitted for consideration in the Documentary Feature category for the 87th Academy Awards\u00ae. The submitted features, listed in alphabetical order, are: \u201cAfternoon of a Faun: Tanaquil Le Clercq\u201d \u201cAi Weiwei: The Fake Case\u201d \u201cAlgorithms\u201d \u201cAlive Inside\u201d \u201cAll You Need Is Love\u201d \u201cAltina\u201d \u201cAmerica: Imagine [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":9780,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3,7,64],"tags":[1303,1444,245,3802],"class_list":["post-9545","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-events","category-news","category-oscars","tag-academy-awards","tag-best-documentary-feature","tag-documentary","tag-oscars"],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v27.5 (Yoast SEO v27.5) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>134 Documentary Features Submitted For 2014 Oscar\u00ae Race  - 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