A passionate, enthusiastic, and enlightening exclusive interview with writer/director ROBERT MONIOT discussing the powerfully moving THE ICE CREAM MAN, Oscar Shortlisted for Best Live Action Short.
In this exclusive interview, Supervising Sound Editor and Re-Recording Mixer WILL FILES breaks down the process of creation for the sonic world of ALIEN: ROMULUS which recently made the Oscar Shortlist for Best Sound.
Getting his hands dirty with his feature directorial debut, FILTHY ANIMALS, writer/director JAMES T. NORTH gives us all the dirt in this exclusive interview discussing the “making of”.
In this exclusive interview, stop-motion and claymation gurus NICK PARK and MERLIN CROSSINGHAM talk all things WALLACE & GROMIT: VENGEANCE MOST FOWL from inventions to flippers to robots to Feathers to beloved old-world charm and more!
An in-depth exclusive conversation with VFX Supervisor ANDREW WHITEHURST discussing Steve McQueen’s latest film, BLITZ, and the visual effects that help immerse us in the physical and emotional 1940-41 time period of World War II during the German bombing campaign in the United Kingdom known as THE BLITZ.
An enlightening and engaging exclusive interview with director THORDUR PALSSON discussing his chillingly beautiful narrative feature directorial debut, THE DAMNED.
In this exclusive interview, director GIA COPPOLA discusses the poignant, revelatory, and beautiful film, THE LAST SHOWGIRL.
An exclusive interview with writer/director JACQUELYN FROHLICH discussing her feature narrative directorial WAYWARD.
An in-depth exclusive conversation with the always insightful and passionate director JAMES BAMFORD discussing UTOPIA.
An exclusive interview with director BEN SMALLBONE talking the emotionally resonant, socially relevant, and powerful HOMESTEAD.
Writer/Director JEFFREY REINER breaks down the “making of” LAKE GEORGE in this exclusive interview.
A passionate and insightful exclusive interview with writer/director TODD KOMARNICKI discussing not only the “making of” BONHOEFFER: PASTOR. SPY. ASSASSIN., but the impact and significance of the film as well as Dietrich Bonhoeffer himself.
