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    • Interview Exclusives
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2026 TCM Classic Film Festival Carpet Chat with a BAD NEWS BEARS Reunion with DAVID STAMBAUGH, DAVID POLLOCK, and BRETT MARX

BEHIND THE LENS was on the Opening Night “Green” Carpet for the 17th Annual TCM CLASSIC FILM FESTIVAL for a Carpet Chat with a “Bad News Bears” Reunion with DAVID STAMBAUGH, DAVID POLLOCK, and BRETT MARX.

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2026 TCM Classic Film Festival Carpet Chat with ALAN K. RODE

BEHIND THE LENS was on the Opening Night “Green” Carpet for the 17th Annual TCM CLASSIC FILM FESTIVAL for a Carpet Chat with ALAN K. RODE, author and historian.

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2026 TCM Classic Film Festival Carpet Chat with MARIO CANTONE

BEHIND THE LENS was on the Opening Night “Green” Carpet for the 17th Annual TCM CLASSIC FILM FESTIVAL for a Carpet Chat with actor and comedian, MARIO CANTONE.

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Into the Deep: RENNY HARLIN on Craft, Chaos, and the Humanity Beneath DEEP WATER – Exclusive Interview

“I do a lot of research and a lot of preparation for the movie…I take this seriously. I always have.”

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MARK KASSEN talks Media, Identity, and the Illusion of Control in PH-1 – Exclusive Interview

At its core, PH-1 is about control—who has it, who loses it, and how quickly it can be stripped away in an age where information moves faster than truth.

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GLEN OWEN finds heart, humor, and moral grit in SIGNING TONY RAYMOND – Exclusive Interview

“I just write what I feel and what interests me,” Glen Owen says. “At their core, every story that I have does have ultimately a similar message of hope amidst all the obstacles that you have to deal with.”

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Kevin Interdonato Remembers Patrick Muldoon: “We’re Going to Send Him Off in Style”

Patrick Muldoon was not simply a co-lead. He was a friend, a creative partner, and, in the world of “Dirty Hands”, the man who made that central brotherhood breathe.

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KEVIN INTERDONATO gets his hands dirty with brotherhood, blood, blue light, and bare-knuckle filmmaking with DIRTY HANDS – Exclusive Interview

For KEVIN INTERDONATO, “If I can just give back to people the same joy from film that I received, that I look for, then my job is done.”

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Inside the Build: The Precision Craft of FUZE

For filmmakers and craft artisans, FUZE offers a compelling case study in how to compress narrative, manipulate audience attention, and sustain tension without excess.

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Lighting the Fuse: DAVID MACKENZIE Engineers Tension, Misdirection, and Momentum in FUZE – Exclusive Interview

“It’s a fast film. There’s a heck of a lot going on… bang, bang, bang,” Mackenzie says. “And there’s something really exciting about being able to do that and not lose sense of the film.”

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Inside the Build for Production Professionals: TIMOTHY DAVID on Long Lenses, Two Cameras, and Letting KANGAROO ISLAND Breathe

“What’s going to work against you, you have to make work for you,” David says, summing up a philosophy that shaped the entire production.

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Aaron Davidman Takes Aim at America’s Inherited Violence in AMERICAN SOLITAIRE – Exclusive Interview

By the time AMERICAN SOLITAIRE reaches its final movement, Davidman has earned something increasingly rare in films tackling large social themes: hope that does not feel facile.

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