BEHIND THE LENS was on the Opening Night “Green” Carpet for the 17th Annual TCM CLASSIC FILM FESTIVAL for a Carpet Chat with a “Bad News Bears” Reunion with DAVID STAMBAUGH, DAVID POLLOCK, and BRETT MARX.
BEHIND THE LENS was on the Opening Night “Green” Carpet for the 17th Annual TCM CLASSIC FILM FESTIVAL for a Carpet Chat with ALAN K. RODE, author and historian.
BEHIND THE LENS was on the Opening Night “Green” Carpet for the 17th Annual TCM CLASSIC FILM FESTIVAL for a Carpet Chat with actor and comedian, MARIO CANTONE.
“I do a lot of research and a lot of preparation for the movie…I take this seriously. I always have.”
At its core, PH-1 is about control—who has it, who loses it, and how quickly it can be stripped away in an age where information moves faster than truth.
“I just write what I feel and what interests me,” Glen Owen says. “At their core, every story that I have does have ultimately a similar message of hope amidst all the obstacles that you have to deal with.”
Patrick Muldoon was not simply a co-lead. He was a friend, a creative partner, and, in the world of “Dirty Hands”, the man who made that central brotherhood breathe.
For KEVIN INTERDONATO, “If I can just give back to people the same joy from film that I received, that I look for, then my job is done.”
For filmmakers and craft artisans, FUZE offers a compelling case study in how to compress narrative, manipulate audience attention, and sustain tension without excess.
“It’s a fast film. There’s a heck of a lot going on… bang, bang, bang,” Mackenzie says. “And there’s something really exciting about being able to do that and not lose sense of the film.”
“What’s going to work against you, you have to make work for you,” David says, summing up a philosophy that shaped the entire production.
By the time AMERICAN SOLITAIRE reaches its final movement, Davidman has earned something increasingly rare in films tackling large social themes: hope that does not feel facile.
