A film that comes out guns blazing, literally and figuratively, but then woefully falls apart thanks to hokey dialogue and extremely bad acting on the part of the supporting players.
Under the skillful direction of Phyllis Nagy, and starring Elizabeth Banks and Sigourney Weaver, CALL JANE is one of the most important films of the year.
McGinly delivers something truly original, timely, and topical as he delves into the good, the bad, and the ugly of online dating with MATCH
Although with a few foibles of its own, SCRAP is a scrappy little film, purposeful in its messages, boasts beautiful cinematography, and strong performances, and is more than worth a look.
SHARKULA is campy badness that is so damn good that you can’t tear yourself away.
88 is a film from which you cannot look away – especially in these politically charged and divisively manipulative times.
A purrfectly meoww-velous film, Mye Hoang’s documentary CAT DADDIES has all the fuzzy feels.
A story about love and heartbreak and finding oneself that just happens to be made by a non-binary filmmaker with a lesbian protagonist. There is not a moviegoer out there who can’t relate to MAYBE SOMEDAY on some level.
Director Ric Roman Waugh scores a touchdown and then some with NATIONAL CHAMPIONS. Timely, topical. A powerhouse film with one of the strongest ensemble casts you’ll see on screen all year with each bringing their A-game in every scene
13 MINUTES is an intense and personal character study, not only of individuals but of them collectively and as a community, as a town; a slice of life in Anytown, USA.
SOULMATES is filled with heart, charm, and small-town USA. A perfect little romcom to warm your heart on those crisp fall and winter nights.
BROADCAST SIGNAL INTRUSION is a riveting sensory-fueled obsessive mania that intensifies into a tension-fueled explosive final act that is killer.
