RELENTLESS is not simply a brutal film – it is a confrontational one
RELENTLESS begins by offering us the most familiar of social equations and then systematically and savagely dismantles it.
RELENTLESS begins by offering us the most familiar of social equations and then systematically and savagely dismantles it.
THE MAN WITH THE HAT reminds us that history doesn’t survive by accident—it survives because someone chooses, every day, to care.
SHEEPDOG is authentic and honest, intimate and personal, and one of the most important films of the year.
31 CANDLES resists becoming a conventional rom-com. Romance is present, but it isn’t the point.
With GREENLAND 2: MIGRATION (Migration), director Ric Roman Waugh doesn’t just return to the wreckage left behind by the first film—he deepens it.
THE MANNEQUIN is a supernatural horror film that understands the value of atmosphere, discipline, and formal control.
IN YOUR DREAMS is a dazzling, full-throttle adventure through the wild world of sleep.
DEAD OF WINTER is a riveting psychological and emotional thriller, an action-filled roller-coaster that will have you on tenterhooks until the very last frame.
A fun-filled, almost throwback, “road trip buddy action comedy”, where heart, humor, and hijinks abound.
WALTZING WITH BRANDO is one of the most entertaining, enjoyable, and eye-opening films of the year! And it delivers a tour-de-force, award-worthy performance by Billy Zane. Billy Zane IS Marlon Brando.
I REALLY LOVE MY HUSBAND is a tough slog through a one-week, one-year-delayed honeymoon of Teresa and Drew.
SEW TORN is creative and original, visually vibrant and stimulating, whimsical and a bit quirky, and quite entertaining and fun.
