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	<title>Behind The Lens Movie Reviews - Behind The Lens Online</title>
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		<title>HACKED: A DOUBLE ENTENDRE OF RAGE FUELED KARMA is a fever dream of ridiculous hilarity</title>
		<link>https://behindthelensonline.net/site/reviews/movies/hacked-movie-review/</link>
		
		<dc:creator><![CDATA[debbie lynn elias]]></dc:creator>
		<pubDate>Tue, 16 Jun 2026 04:10:46 +0000</pubDate>
				<category><![CDATA[Movies]]></category>
		<category><![CDATA[Augie Duke]]></category>
		<category><![CDATA[Collin Thompson]]></category>
		<category><![CDATA[comedy]]></category>
		<category><![CDATA[hacked]]></category>
		<category><![CDATA[HACKED A DOUBLE ENTENDRE OF RAGE FUELED KARMA]]></category>
		<category><![CDATA[movie review]]></category>
		<category><![CDATA[Owen Atlas]]></category>
		<category><![CDATA[Phil Esposito]]></category>
		<category><![CDATA[Richard Riehle]]></category>
		<category><![CDATA[Shane Brady]]></category>
		<guid isPermaLink="false">https://behindthelensonline.net/site/?p=42358</guid>

					<description><![CDATA[<p>HACKED: A DOUBLE ENTENDRE OF RAGE FUELED KARMA is a fever dream of ridiculous hilarity that you either embrace wholeheartedly or dismiss for the nonsense unfolding onscreen</p>
<p>The post <a href="https://behindthelensonline.net/site/reviews/movies/hacked-movie-review/">HACKED: A DOUBLE ENTENDRE OF RAGE FUELED KARMA is a fever dream of ridiculous hilarity</a> appeared first on <a href="https://behindthelensonline.net/site">Behind The Lens Online</a>.</p>
]]></description>
		
		
		
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		<item>
		<title>Home Is More Than a Place in BROKEN LAND</title>
		<link>https://behindthelensonline.net/site/reviews/movies/broken-land-movie-review/</link>
		
		<dc:creator><![CDATA[debbie lynn elias]]></dc:creator>
		<pubDate>Thu, 11 Jun 2026 16:56:07 +0000</pubDate>
				<category><![CDATA[Movies]]></category>
		<category><![CDATA[Bill Heck]]></category>
		<category><![CDATA[Broken Land]]></category>
		<category><![CDATA[Christopher Young]]></category>
		<category><![CDATA[David Morse]]></category>
		<category><![CDATA[estrangement]]></category>
		<category><![CDATA[immigration]]></category>
		<category><![CDATA[Jaklyn Bejarano]]></category>
		<category><![CDATA[JT Walker]]></category>
		<category><![CDATA[movie review]]></category>
		<category><![CDATA[texas]]></category>
		<guid isPermaLink="false">https://behindthelensonline.net/site/?p=42264</guid>

					<description><![CDATA[<p>Writer/director J.T. Walker's feature debut unfolds with quiet confidence, allowing its story to emerge through weathered faces, lingering glances, empty rooms, and the vast, unforgiving landscape of South Texas.</p>
<p>The post <a href="https://behindthelensonline.net/site/reviews/movies/broken-land-movie-review/">Home Is More Than a Place in BROKEN LAND</a> appeared first on <a href="https://behindthelensonline.net/site">Behind The Lens Online</a>.</p>
]]></description>
		
		
		
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		<item>
		<title>CHUM:  Tiny Violins for Love. Applause for the Shark.</title>
		<link>https://behindthelensonline.net/site/reviews/movies/chum-movie-review/</link>
		
		<dc:creator><![CDATA[debbie lynn elias]]></dc:creator>
		<pubDate>Sat, 06 Jun 2026 23:37:33 +0000</pubDate>
				<category><![CDATA[Movies]]></category>
		<category><![CDATA[Alice Eve]]></category>
		<category><![CDATA[chum]]></category>
		<category><![CDATA[jonathan zuck]]></category>
		<category><![CDATA[Malta]]></category>
		<category><![CDATA[Mediterranean Sea]]></category>
		<category><![CDATA[movie review]]></category>
		<category><![CDATA[shark]]></category>
		<guid isPermaLink="false">https://behindthelensonline.net/site/?p=42151</guid>

					<description><![CDATA[<p>CHUM gleefully embraces its identity as a chaotic hybrid of shark thriller, relationship soap opera, revenge tale, and survival horror, throwing an increasingly unlikeable wedding party into the Mediterranean Sea and then asking audiences one very important question:  Who deserves to get eaten first?</p>
<p>The post <a href="https://behindthelensonline.net/site/reviews/movies/chum-movie-review/">CHUM:  Tiny Violins for Love. Applause for the Shark.</a> appeared first on <a href="https://behindthelensonline.net/site">Behind The Lens Online</a>.</p>
]]></description>
		
		
		
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		<item>
		<title>Hippos, Hysteria, and Bayou Bloodshed with HUNGRY &#8211; It&#8217;s M&#8217;m, M&#8217;m good!</title>
		<link>https://behindthelensonline.net/site/reviews/movies/hungry-movie-review/</link>
		
		<dc:creator><![CDATA[debbie lynn elias]]></dc:creator>
		<pubDate>Wed, 03 Jun 2026 16:27:22 +0000</pubDate>
				<category><![CDATA[Movies]]></category>
		<category><![CDATA[hippos]]></category>
		<category><![CDATA[horror movie]]></category>
		<category><![CDATA[hungry]]></category>
		<category><![CDATA[James Nunn]]></category>
		<category><![CDATA[Louisiana bayou]]></category>
		<category><![CDATA[madison davenport]]></category>
		<category><![CDATA[movie review]]></category>
		<category><![CDATA[thriller]]></category>
		<guid isPermaLink="false">https://behindthelensonline.net/site/?p=41953</guid>

					<description><![CDATA[<p>With HUNGRY, James Nunn delivers a clever, atmospheric, highly entertaining survival thriller that understands exactly how to manipulate audience assumptions while delivering plenty of swamp-soaked mayhem along the way.</p>
<p>The post <a href="https://behindthelensonline.net/site/reviews/movies/hungry-movie-review/">Hippos, Hysteria, and Bayou Bloodshed with HUNGRY &#8211; It&#8217;s M&#8217;m, M&#8217;m good!</a> appeared first on <a href="https://behindthelensonline.net/site">Behind The Lens Online</a>.</p>
]]></description>
		
		
		
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		<item>
		<title>Silence Becomes Suspense in Sandra Sciberras’ Gripping SEVEN SNIPERS</title>
		<link>https://behindthelensonline.net/site/reviews/movies/silence-becomes-suspense-in-sandra-sciberras-gripping-seven-snipers/</link>
		
		<dc:creator><![CDATA[debbie lynn elias]]></dc:creator>
		<pubDate>Mon, 01 Jun 2026 13:00:48 +0000</pubDate>
				<category><![CDATA[Movies]]></category>
		<category><![CDATA[action-thriller]]></category>
		<category><![CDATA[annabel wolfe]]></category>
		<category><![CDATA[Australia]]></category>
		<category><![CDATA[Ioan Gruffudd]]></category>
		<category><![CDATA[mercenaries]]></category>
		<category><![CDATA[military]]></category>
		<category><![CDATA[movie review]]></category>
		<category><![CDATA[pacharo mzembe]]></category>
		<category><![CDATA[Radha Mitchell]]></category>
		<category><![CDATA[sandra sciberras]]></category>
		<category><![CDATA[seven snipers]]></category>
		<category><![CDATA[snipers]]></category>
		<category><![CDATA[Tim Roth]]></category>
		<guid isPermaLink="false">https://behindthelensonline.net/site/?p=42143</guid>

					<description><![CDATA[<p>By grounding its action in atmosphere, sonic immersion, emotional withholding, spatial precision, and deeply sustained suspense, SEVEN SNIPERS emerges as one of the year’s most gripping action thrillers — a film that understands tension is not something you simply create.  It is something you carefully control.</p>
<p>The post <a href="https://behindthelensonline.net/site/reviews/movies/silence-becomes-suspense-in-sandra-sciberras-gripping-seven-snipers/">Silence Becomes Suspense in Sandra Sciberras’ Gripping SEVEN SNIPERS</a> appeared first on <a href="https://behindthelensonline.net/site">Behind The Lens Online</a>.</p>
]]></description>
		
		
		
			</item>
		<item>
		<title>THE BREADWINNER is the Laugh-Out-Loud Family Comedy That Finds Humor in the Chaos of Real Life</title>
		<link>https://behindthelensonline.net/site/reviews/movies/the-breadwinner-review/</link>
		
		<dc:creator><![CDATA[debbie lynn elias]]></dc:creator>
		<pubDate>Wed, 27 May 2026 22:59:03 +0000</pubDate>
				<category><![CDATA[Movies]]></category>
		<category><![CDATA[comedy]]></category>
		<category><![CDATA[dan lagana]]></category>
		<category><![CDATA[family comedy]]></category>
		<category><![CDATA[movie review]]></category>
		<category><![CDATA[nate bargatze]]></category>
		<category><![CDATA[the breadwinner]]></category>
		<guid isPermaLink="false">https://behindthelensonline.net/site/?p=42145</guid>

					<description><![CDATA[<p>THE BREADWINNER is one of the year’s most genuinely funny crowd-pleasers — the kind of laugh-until-you’re-crying comedy that understands the best humor comes from recognizable truth pushed to delightfully absurd extremes.</p>
<p>The post <a href="https://behindthelensonline.net/site/reviews/movies/the-breadwinner-review/">THE BREADWINNER is the Laugh-Out-Loud Family Comedy That Finds Humor in the Chaos of Real Life</a> appeared first on <a href="https://behindthelensonline.net/site">Behind The Lens Online</a>.</p>
]]></description>
		
		
		
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		<item>
		<title>Scott Adkins Trades Precision for Gleeful Panic in Elliott Montello&#8217;s RECKLESS</title>
		<link>https://behindthelensonline.net/site/reviews/movies/reckless-movie-review/</link>
		
		<dc:creator><![CDATA[debbie lynn elias]]></dc:creator>
		<pubDate>Sun, 24 May 2026 00:37:03 +0000</pubDate>
				<category><![CDATA[Movies]]></category>
		<category><![CDATA[comedy]]></category>
		<category><![CDATA[crime caper]]></category>
		<category><![CDATA[elliott montello]]></category>
		<category><![CDATA[London]]></category>
		<category><![CDATA[movie review]]></category>
		<category><![CDATA[nicole dean]]></category>
		<category><![CDATA[reckless]]></category>
		<category><![CDATA[reckless movie]]></category>
		<category><![CDATA[Scott Adkins]]></category>
		<category><![CDATA[Vinnie Jones]]></category>
		<guid isPermaLink="false">https://behindthelensonline.net/site/?p=42031</guid>

					<description><![CDATA[<p>&#160; &#160; For years, Scott Adkins has built his action-hero persona around control. Precision. Physical dominance. Whether delivering blistering martial arts choreography or anchoring hard-edged action thrillers, Adkins typically operates with the confidence of a man who knows exactly how every punch, kick, and movement will land.  In RECKLESS, however, control is overrated. Directed by Elliott [&#8230;]</p>
<p>The post <a href="https://behindthelensonline.net/site/reviews/movies/reckless-movie-review/">Scott Adkins Trades Precision for Gleeful Panic in Elliott Montello&#8217;s RECKLESS</a> appeared first on <a href="https://behindthelensonline.net/site">Behind The Lens Online</a>.</p>
]]></description>
		
		
		
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		<item>
		<title>OBSESSION: Be Careful What You Wish For—Because You Just Might Get It</title>
		<link>https://behindthelensonline.net/site/reviews/movies/obsession-movie-review-2026/</link>
		
		<dc:creator><![CDATA[debbie lynn elias]]></dc:creator>
		<pubDate>Tue, 12 May 2026 06:03:05 +0000</pubDate>
				<category><![CDATA[Movies]]></category>
		<category><![CDATA[curry barker]]></category>
		<category><![CDATA[director]]></category>
		<category><![CDATA[editor]]></category>
		<category><![CDATA[horror film]]></category>
		<category><![CDATA[inde navarette]]></category>
		<category><![CDATA[movie review]]></category>
		<category><![CDATA[Obsession]]></category>
		<category><![CDATA[one wish willow]]></category>
		<category><![CDATA[writer]]></category>
		<guid isPermaLink="false">https://behindthelensonline.net/site/?p=41950</guid>

					<description><![CDATA[<p>A film that feels both intimate and unsettling without ever overreaching.  It’s clever. It’s controlled. And perhaps most importantly—it trusts its audience.</p>
<p>The post <a href="https://behindthelensonline.net/site/reviews/movies/obsession-movie-review-2026/">OBSESSION: Be Careful What You Wish For—Because You Just Might Get It</a> appeared first on <a href="https://behindthelensonline.net/site">Behind The Lens Online</a>.</p>
]]></description>
		
		
		
			</item>
		<item>
		<title>Authenticity Becomes the Ultimate Illusion in Jing Ai Ng’s Visually Seductive Crime Drama FORGE</title>
		<link>https://behindthelensonline.net/site/reviews/movies/forge-movie-review/</link>
		
		<dc:creator><![CDATA[debbie lynn elias]]></dc:creator>
		<pubDate>Tue, 12 May 2026 05:09:42 +0000</pubDate>
				<category><![CDATA[Movies]]></category>
		<category><![CDATA[Andie Ju]]></category>
		<category><![CDATA[art forgery]]></category>
		<category><![CDATA[Brandon Soo Hoo]]></category>
		<category><![CDATA[Edmund Donovan]]></category>
		<category><![CDATA[Eva De Dominici]]></category>
		<category><![CDATA[Forge]]></category>
		<category><![CDATA[Jing Ai Ng]]></category>
		<category><![CDATA[Kelly Marie Tran]]></category>
		<category><![CDATA[Miami]]></category>
		<category><![CDATA[movie review]]></category>
		<guid isPermaLink="false">https://behindthelensonline.net/site/?p=41945</guid>

					<description><![CDATA[<p>In a film about counterfeit masterpieces, stolen artistic identities, fabricated provenance, and criminal deception, writer-director Jing Ai Ng delivers something refreshingly authentic: a confident feature debut with a sharply defined visual voice and a compelling emotional core.</p>
<p>The post <a href="https://behindthelensonline.net/site/reviews/movies/forge-movie-review/">Authenticity Becomes the Ultimate Illusion in Jing Ai Ng’s Visually Seductive Crime Drama FORGE</a> appeared first on <a href="https://behindthelensonline.net/site">Behind The Lens Online</a>.</p>
]]></description>
		
		
		
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		<item>
		<title>Inherited Privilege, Resentment and Self-Delusion Become Loaded Weapons in John Michael Kennedy’s Gothic Chamber Thriller AN ENEMY WITHIN</title>
		<link>https://behindthelensonline.net/site/reviews/movies/an-enemy-within-movie-review/</link>
		
		<dc:creator><![CDATA[debbie lynn elias]]></dc:creator>
		<pubDate>Tue, 12 May 2026 04:57:01 +0000</pubDate>
				<category><![CDATA[Movies]]></category>
		<category><![CDATA[An Enemy Within]]></category>
		<category><![CDATA[John Michael Kennedy]]></category>
		<category><![CDATA[movie review]]></category>
		<category><![CDATA[murder mystery]]></category>
		<category><![CDATA[thriller]]></category>
		<category><![CDATA[William Moseley]]></category>
		<guid isPermaLink="false">https://behindthelensonline.net/site/?p=41948</guid>

					<description><![CDATA[<p>Part Gothic chamber thriller, part psychological standoff, part family bloodsport, Kennedy constructs a sharply staged mystery where inherited privilege, buried resentment, emotional insecurity, and self-delusion become loaded weapons aimed squarely at everyone trapped inside a sprawling English estate.</p>
<p>The post <a href="https://behindthelensonline.net/site/reviews/movies/an-enemy-within-movie-review/">Inherited Privilege, Resentment and Self-Delusion Become Loaded Weapons in John Michael Kennedy’s Gothic Chamber Thriller AN ENEMY WITHIN</a> appeared first on <a href="https://behindthelensonline.net/site">Behind The Lens Online</a>.</p>
]]></description>
		
		
		
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