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	<title>Interviews Archives - Behind The Lens Online</title>
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	<item>
		<title>ALEX GOYETTE talks Breeding Perfection and Horror with BREEDER &#8211; Exclusive Interview</title>
		<link>https://behindthelensonline.net/site/interviews/interview-exclusives/alex-goyette-interview-breeder/</link>
		
		<dc:creator><![CDATA[debbie lynn elias]]></dc:creator>
		<pubDate>Wed, 28 Oct 2026 01:13:19 +0000</pubDate>
				<category><![CDATA[Interview Exclusives]]></category>
		<category><![CDATA[Alex Goyette]]></category>
		<category><![CDATA[breeder]]></category>
		<category><![CDATA[breeder 2026]]></category>
		<category><![CDATA[breeder movie]]></category>
		<category><![CDATA[Dot-Marie Jones]]></category>
		<category><![CDATA[eugenics]]></category>
		<category><![CDATA[horror movie]]></category>
		<category><![CDATA[psychological thriller]]></category>
		<guid isPermaLink="false">https://behindthelensonline.net/site/?p=43716</guid>

					<description><![CDATA[<p>For writer/director/editor Alex Goyette, the seeds of his deliciously disturbing thriller BREEDER were planted by two decidedly bizarre real-life experiences: an unexpected interrogation about his genetic history and an encounter with a dog breeder whose obsession with controlling her animals took a frightening turn.</p>
<p>The post <a href="https://behindthelensonline.net/site/interviews/interview-exclusives/alex-goyette-interview-breeder/">ALEX GOYETTE talks Breeding Perfection and Horror with BREEDER &#8211; Exclusive Interview</a> appeared first on <a href="https://behindthelensonline.net/site">Behind The Lens Online</a>.</p>
]]></description>
		
		
		
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		<item>
		<title>DARA VAN DUSEN discusses Giving the Camera a Character, Finding Meaning in the Image, and Creating a World on the Brink with A PRAYER FOR THE DYING &#8211; Exclusive Interview</title>
		<link>https://behindthelensonline.net/site/interviews/interview-exclusives/dara-van-dusen-interview-a-prayer-for-the-dying-2/</link>
		
		<dc:creator><![CDATA[debbie lynn elias]]></dc:creator>
		<pubDate>Tue, 27 Oct 2026 19:49:38 +0000</pubDate>
				<category><![CDATA[Interview Exclusives]]></category>
		<category><![CDATA[a prayer for the dying]]></category>
		<category><![CDATA[book adaptation]]></category>
		<category><![CDATA[dara van dusen]]></category>
		<category><![CDATA[director]]></category>
		<category><![CDATA[drama]]></category>
		<category><![CDATA[exclusive interview]]></category>
		<category><![CDATA[John C. Reilly]]></category>
		<category><![CDATA[johnny flynn]]></category>
		<category><![CDATA[kristina thorp]]></category>
		<category><![CDATA[post-Civil War]]></category>
		<category><![CDATA[Stewart O'Nan]]></category>
		<category><![CDATA[writer]]></category>
		<guid isPermaLink="false">https://behindthelensonline.net/site/?p=43722</guid>

					<description><![CDATA[<p>"I think there is something very noble and very difficult in trying to figure out how to use image to communicate emotion and story."</p>
<p>The post <a href="https://behindthelensonline.net/site/interviews/interview-exclusives/dara-van-dusen-interview-a-prayer-for-the-dying-2/">DARA VAN DUSEN discusses Giving the Camera a Character, Finding Meaning in the Image, and Creating a World on the Brink with A PRAYER FOR THE DYING &#8211; Exclusive Interview</a> appeared first on <a href="https://behindthelensonline.net/site">Behind The Lens Online</a>.</p>
]]></description>
		
		
		
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		<item>
		<title>JORDAN DOWNEY Talks the Art of Seeing Less, Hearing More, and Letting Horror Breathe in THE CYCLE &#8211; Exclusive Interview</title>
		<link>https://behindthelensonline.net/site/interviews/interview-exclusives/jordan-downey-interview-the-cycle-2/</link>
		
		<dc:creator><![CDATA[debbie lynn elias]]></dc:creator>
		<pubDate>Mon, 26 Oct 2026 23:36:56 +0000</pubDate>
				<category><![CDATA[Interview Exclusives]]></category>
		<category><![CDATA[Deborah Ann Woll]]></category>
		<category><![CDATA[exclusive interview]]></category>
		<category><![CDATA[horror film]]></category>
		<category><![CDATA[Jeffrey Donovan]]></category>
		<category><![CDATA[jordan downey]]></category>
		<category><![CDATA[practical effects]]></category>
		<category><![CDATA[psychological thriller]]></category>
		<category><![CDATA[the cycle]]></category>
		<category><![CDATA[The Cycle movie]]></category>
		<guid isPermaLink="false">https://behindthelensonline.net/site/?p=43724</guid>

					<description><![CDATA[<p>"It's very rewarding to know...and useful just professionally to know that my gut instinct on things isn't completely off base."</p>
<p>The post <a href="https://behindthelensonline.net/site/interviews/interview-exclusives/jordan-downey-interview-the-cycle-2/">JORDAN DOWNEY Talks the Art of Seeing Less, Hearing More, and Letting Horror Breathe in THE CYCLE &#8211; Exclusive Interview</a> appeared first on <a href="https://behindthelensonline.net/site">Behind The Lens Online</a>.</p>
]]></description>
		
		
		
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		<item>
		<title>MARK VANSELOW Talks Going From Stuntman to Storyteller with THE MONGOOSE &#8211; Exclusive Interview</title>
		<link>https://behindthelensonline.net/site/interviews/interview-exclusives/mark-vanselow-interview-the-mongoose/</link>
		
		<dc:creator><![CDATA[debbie lynn elias]]></dc:creator>
		<pubDate>Mon, 26 Oct 2026 22:49:07 +0000</pubDate>
				<category><![CDATA[Interview Exclusives]]></category>
		<category><![CDATA[action film]]></category>
		<category><![CDATA[director]]></category>
		<category><![CDATA[exclusive interview]]></category>
		<category><![CDATA[liam neeson]]></category>
		<category><![CDATA[mark vanselow]]></category>
		<category><![CDATA[stuntman]]></category>
		<category><![CDATA[the mongoose]]></category>
		<guid isPermaLink="false">https://behindthelensonline.net/site/?p=43718</guid>

					<description><![CDATA[<p>"I think what I learned in this effort was the endurance that it takes to stay for those three segments of the process (pre-production/production/post-production), and to continue to hold on to that vision and let everybody else do their best work and add to that vision, but you still have to hold on to that throughout."</p>
<p>The post <a href="https://behindthelensonline.net/site/interviews/interview-exclusives/mark-vanselow-interview-the-mongoose/">MARK VANSELOW Talks Going From Stuntman to Storyteller with THE MONGOOSE &#8211; Exclusive Interview</a> appeared first on <a href="https://behindthelensonline.net/site">Behind The Lens Online</a>.</p>
]]></description>
		
		
		
			</item>
		<item>
		<title>REBECCA J. MATTHEWS talks Unleashing the Gothic Horror of WUTHERING HEIGHTS: THE HOUSE OF THE DAMNED &#8211; Exclusive Interview</title>
		<link>https://behindthelensonline.net/site/interviews/interview-exclusives/rebecca-j-matthews-wuthering-heights-house-of-the-damned-interview/</link>
		
		<dc:creator><![CDATA[debbie lynn elias]]></dc:creator>
		<pubDate>Sat, 17 Oct 2026 00:09:37 +0000</pubDate>
				<category><![CDATA[Interview Exclusives]]></category>
		<category><![CDATA[becca hirani]]></category>
		<category><![CDATA[director]]></category>
		<category><![CDATA[editor]]></category>
		<category><![CDATA[emily bronte]]></category>
		<category><![CDATA[Filmmaker]]></category>
		<category><![CDATA[horror film]]></category>
		<category><![CDATA[liana failla]]></category>
		<category><![CDATA[rebecca j matthews]]></category>
		<category><![CDATA[wuthering heights]]></category>
		<category><![CDATA[wuthering heights: the house of the damned]]></category>
		<guid isPermaLink="false">https://behindthelensonline.net/site/?p=43525</guid>

					<description><![CDATA[<p>For director Rebecca J. Matthews, "Magic happens if you can just creatively open yourself up to things and not stick too much to your original ideas. That's when all the really cool stuff happens."</p>
<p>The post <a href="https://behindthelensonline.net/site/interviews/interview-exclusives/rebecca-j-matthews-wuthering-heights-house-of-the-damned-interview/">REBECCA J. MATTHEWS talks Unleashing the Gothic Horror of WUTHERING HEIGHTS: THE HOUSE OF THE DAMNED &#8211; Exclusive Interview</a> appeared first on <a href="https://behindthelensonline.net/site">Behind The Lens Online</a>.</p>
]]></description>
		
		
		
			</item>
		<item>
		<title>JUAN PABLO DI PACE Remembers Love, Life and the Art of Filmmaking with BEFORE WE FORGET &#8211; Exclusive Interview</title>
		<link>https://behindthelensonline.net/site/interviews/interview-exclusives/juan-pablo-di-pace-interview-before-we-forget-2/</link>
		
		<dc:creator><![CDATA[debbie lynn elias]]></dc:creator>
		<pubDate>Fri, 16 Oct 2026 07:44:56 +0000</pubDate>
				<category><![CDATA[Interview Exclusives]]></category>
		<category><![CDATA[actor]]></category>
		<category><![CDATA[Before We Forget]]></category>
		<category><![CDATA[director]]></category>
		<category><![CDATA[duino]]></category>
		<category><![CDATA[editor]]></category>
		<category><![CDATA[exclusive interview]]></category>
		<category><![CDATA[Juan Pablo Di Pace]]></category>
		<category><![CDATA[writer]]></category>
		<guid isPermaLink="false">https://behindthelensonline.net/site/?p=43527</guid>

					<description><![CDATA[<p>“Everything, everything, everything pays off when you’re specific about all the elements,” Di Pace says.</p>
<p>The post <a href="https://behindthelensonline.net/site/interviews/interview-exclusives/juan-pablo-di-pace-interview-before-we-forget-2/">JUAN PABLO DI PACE Remembers Love, Life and the Art of Filmmaking with BEFORE WE FORGET &#8211; Exclusive Interview</a> appeared first on <a href="https://behindthelensonline.net/site">Behind The Lens Online</a>.</p>
]]></description>
		
		
		
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		<item>
		<title>DAVID FERINO is Cultivating Cinematic Chaos with ATTACK OF THE KILLER TOMATOES: ORGANIC INTELLIGENCE &#8211; Exclusive Interview</title>
		<link>https://behindthelensonline.net/site/interviews/interview-exclusives/david-ferino-interview-killer-tomatoes/</link>
		
		<dc:creator><![CDATA[debbie lynn elias]]></dc:creator>
		<pubDate>Fri, 16 Oct 2026 06:46:13 +0000</pubDate>
				<category><![CDATA[Interview Exclusives]]></category>
		<category><![CDATA[attack of the killer tomatoes]]></category>
		<category><![CDATA[Attack of the Killer Tomatoes: Organic Intelligence]]></category>
		<category><![CDATA[comedy]]></category>
		<category><![CDATA[David Ferino]]></category>
		<category><![CDATA[director]]></category>
		<category><![CDATA[editor]]></category>
		<category><![CDATA[exclusive interview]]></category>
		<category><![CDATA[franchise]]></category>
		<category><![CDATA[interview]]></category>
		<category><![CDATA[parody]]></category>
		<category><![CDATA[satire]]></category>
		<guid isPermaLink="false">https://behindthelensonline.net/site/?p=43519</guid>

					<description><![CDATA[<p>"I actually think no matter the era that you're living in, so much of our world is chaotic and confusing, and so to have a movie that reflects that chaos and confusion in a very specific way, I think is its own form of art, whether people want to call it that or not."</p>
<p>The post <a href="https://behindthelensonline.net/site/interviews/interview-exclusives/david-ferino-interview-killer-tomatoes/">DAVID FERINO is Cultivating Cinematic Chaos with ATTACK OF THE KILLER TOMATOES: ORGANIC INTELLIGENCE &#8211; Exclusive Interview</a> appeared first on <a href="https://behindthelensonline.net/site">Behind The Lens Online</a>.</p>
]]></description>
		
		
		
			</item>
		<item>
		<title>JORDAN DOWNEY on The Art of Seeing Less, Hearing More, and Letting Horror Breathe with THE CYCLE &#8211; Exclusive Interview</title>
		<link>https://behindthelensonline.net/site/interviews/interview-exclusives/jordan-downey-interview-the-cycle/</link>
		
		<dc:creator><![CDATA[debbie lynn elias]]></dc:creator>
		<pubDate>Fri, 16 Oct 2026 02:17:48 +0000</pubDate>
				<category><![CDATA[Interview Exclusives]]></category>
		<category><![CDATA[director]]></category>
		<category><![CDATA[editor]]></category>
		<category><![CDATA[exclusive interview]]></category>
		<category><![CDATA[horror film]]></category>
		<category><![CDATA[jordan downay]]></category>
		<category><![CDATA[psychological thriller]]></category>
		<category><![CDATA[the cycle]]></category>
		<category><![CDATA[writer]]></category>
		<guid isPermaLink="false">https://behindthelensonline.net/site/?p=43515</guid>

					<description><![CDATA[<p>With Jordan Downey serving as director, co-writer, and editor, THE CYCLE possesses an unusually unified creative perspective...He doesn't simply ask audiences to watch THE CYCLE.  He trusts them to experience it.</p>
<p>The post <a href="https://behindthelensonline.net/site/interviews/interview-exclusives/jordan-downey-interview-the-cycle/">JORDAN DOWNEY on The Art of Seeing Less, Hearing More, and Letting Horror Breathe with THE CYCLE &#8211; Exclusive Interview</a> appeared first on <a href="https://behindthelensonline.net/site">Behind The Lens Online</a>.</p>
]]></description>
		
		
		
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		<item>
		<title>JOSH PAIS Goes Undercover in CHECKOUT with Spies, Sneakers, and the Art of Embracing the Unknown &#8211; Exclusive Interview</title>
		<link>https://behindthelensonline.net/site/interviews/interview-exclusives/josh-pais-interview-checkout/</link>
		
		<dc:creator><![CDATA[debbie lynn elias]]></dc:creator>
		<pubDate>Thu, 15 Oct 2026 19:14:32 +0000</pubDate>
				<category><![CDATA[Interview Exclusives]]></category>
		<category><![CDATA[actor]]></category>
		<category><![CDATA[Arbitrage]]></category>
		<category><![CDATA[checkout]]></category>
		<category><![CDATA[checkout movie]]></category>
		<category><![CDATA[dark comedy]]></category>
		<category><![CDATA[exclusive interview]]></category>
		<category><![CDATA[josh pais]]></category>
		<category><![CDATA[Law & Order]]></category>
		<category><![CDATA[Law & Order SVU]]></category>
		<category><![CDATA[massad spy]]></category>
		<category><![CDATA[RFay Donovan]]></category>
		<category><![CDATA[TEETH]]></category>
		<category><![CDATA[The Roman]]></category>
		<category><![CDATA[TOUCHY FEELY]]></category>
		<guid isPermaLink="false">https://behindthelensonline.net/site/?p=43513</guid>

					<description><![CDATA[<p>For Josh Pais, acting is not about repeating what has worked before.  It's about remaining curious enough, courageous enough, and open enough to discover something new.  "I'm just always striving to get better at my craft. That's what keeps me going, and it lights me up."</p>
<p>The post <a href="https://behindthelensonline.net/site/interviews/interview-exclusives/josh-pais-interview-checkout/">JOSH PAIS Goes Undercover in CHECKOUT with Spies, Sneakers, and the Art of Embracing the Unknown &#8211; Exclusive Interview</a> appeared first on <a href="https://behindthelensonline.net/site">Behind The Lens Online</a>.</p>
]]></description>
		
		
		
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		<title>MIKE GALLANT on Micro-Budget Filmmaking, Finding the Story in the Edit, and Unleashing Jason Pennell in BACKPAY &#8211; Exclusive Interview</title>
		<link>https://behindthelensonline.net/site/interviews/interview-exclusives/mike-gallant-backpay-interview/</link>
		
		<dc:creator><![CDATA[debbie lynn elias]]></dc:creator>
		<pubDate>Thu, 15 Oct 2026 18:12:21 +0000</pubDate>
				<category><![CDATA[Interview Exclusives]]></category>
		<category><![CDATA[backpay]]></category>
		<category><![CDATA[backpay movie]]></category>
		<category><![CDATA[crime heist]]></category>
		<category><![CDATA[drama]]></category>
		<category><![CDATA[exclusive interview]]></category>
		<category><![CDATA[mike gallant]]></category>
		<category><![CDATA[neo noir thriller]]></category>
		<guid isPermaLink="false">https://behindthelensonline.net/site/?p=43517</guid>

					<description><![CDATA[<p>Working with cinematographer and executive producer Chris Morsby, a compact cast, limited locations, and an equally lean crew, Gallant approached BACKPAY with an editor's understanding of what could be accomplished within a tightly controlled production.</p>
<p>The post <a href="https://behindthelensonline.net/site/interviews/interview-exclusives/mike-gallant-backpay-interview/">MIKE GALLANT on Micro-Budget Filmmaking, Finding the Story in the Edit, and Unleashing Jason Pennell in BACKPAY &#8211; Exclusive Interview</a> appeared first on <a href="https://behindthelensonline.net/site">Behind The Lens Online</a>.</p>
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