I HAVE PROOF is riveting, unsettling and increasingly immersive
When Bressack finally releases the tightening spring of fear and tension, I HAVE PROOF becomes almost breathless.
When Bressack finally releases the tightening spring of fear and tension, I HAVE PROOF becomes almost breathless.
Structured in three distinct sections, RESENTMENT continually shifts the dramatic balance among its central trio while remaining rooted almost entirely within Trish’s Brooklyn bar. Each chapter rearranges the emotional geometry, allowing alliances, suspicions and resentments to mutate as afternoon gives way to evening and ultimately last call.
Never underestimate a little girl and her stuffed bunny in a paranormal horror movie.
Ethan Hawke is beautifully cast as Samuel, giving us a man whose strength is expressed not through grand speeches or swagger but through stillness, observation and determination.
KNIGHTFALL is a satisfying, economical espionage thriller that understands the value of leaving a little unexplored territory on the map
GATOR FACE, a scrappy, unapologetically bloody creature-feature/slasher hybrid that mixes a murderous cult, Southern folklore, real alligators, practical gore and a reptilian masked killer into an increasingly wild romp through the Florida swamps.
Scott Waugh has delivered one of the most emotionally satisfying films of his career without sacrificing one ounce of the muscular action filmmaking at which he excels.
With THE RUNNER, Kevin Macdonald takes a familiar thriller construct and pushes it into something visceral, intelligent, and cinematically exhilarating.
THE MAGIC FARAWAY TREE is a frothy, light, pure delight backed by some seriously impressive filmmaking craft.
Sick, twisted, hilariously funny, unexpectedly thoughtful, and gleefully drenched in blood, BUDDY is one of those increasingly rare genre concoctions that feels genuinely fresh.
ABOVE & BELOW delivers exactly what audiences want from a modern aquatic thriller—strong performances and characters you become invested in, excellent technical craftsmanship, genuinely nerve-racking underwater suspense, spectacular practical and digital effects, and sharks that look and behave like sharks instead of CGI cartoons.
The title may be THE LAST PLACE ON EARTH. But after watching Irmelin leap into the trees and a Sumatran tiger race back into the forest, one thing becomes abundantly clear: This cannot be the last place we fight to save.
