WHERE WE DISAPPEAR
Adapted for the screen by Arthur M. Jolly from his acclaimed stage play, A Gulag Mouse, first-time feature director Simon Fink adroitly translates from
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Adapted for the screen by Arthur M. Jolly from his acclaimed stage play, A Gulag Mouse, first-time feature director Simon Fink adroitly translates from
Leave it to Ron Howard to craft a portrait of Luciano Pavarotti that is as exquisitely told and emotionally beauteous as Pavarotti’s own voice.
With THE SOUVENIR, writer/director Joanna Hogg revisits her own past with this emotionally charged visual memoir through time, catapulting us into the emotional fray
Deon Taylor has an uncanny knack for lulling one into a false sense of security when it comes to both his characters and his
Filmmaker CODY MEIRICK, like so many, was weaned on the beloved horror stories of Alvin Schwartz, “Scary Stories To Tell In The Dark.” To
Led by a breakout performance from Taylor Buck, PRINCESS OF THE ROW shines a unique light on homelessness, mental illness, PTSD, veterans affairs, poverty,
In true Hitchcockian fashion, EVERYBODY KNOWS is an absorbing film filled with twists and turns and the mesmerizing ambiguity of “who dunnit” when Laura
A refreshing take on the psychological horror genre, with THE HOLE IN THE GROUND, writer/director Lee Cronin subverts genre tropes and delivers a nail-biting,
LOS ANGELES, CA – Actor-comedian and Oscar®–nominated writer Kumail Nanjiani and actress–producer–director Tracee Ellis Ross announced the 91st Oscars® nominations today (January 22),
It’s not just grown-up Jane and Michael Banks who need Mary Poppins. A spoonful of her special brand of sugar is just what the
As noted centuries ago by Cicero and subsequently Shakespeare, both fortune and love are blind, and with BIRD BOX it is that blindness which
Sumptuous in both visual and historical texture and context, while delivering a telling character study of Mary Queen of Scots and Elizabeth I that
